An extraordinary, incendiary debut from a rare new talent, Vellum showcases a complex and sophisticated level of writing coupled with a fecund imagination that defies description. It’s 2017 and angels and demons walk the earth. Once they were human; now they are unkin, transformed by the ancient machine-code language of reality itself. They seek The Book of All Hours, the mythical tome within which the blueprint for all reality is transcribed, which has been lost somewhere in the Vellum—the vast realm of eternity upon which our world is a mere scratch. The Vellum, where the unkin are gathering for war. The Vellum, where a fallen angel and a renegade devil are about to settle an age-old feud. The Vellum, where the past, present, and future will collide with ancient worlds and myths. And the Vellum will burn. . . .

The `Getting of Vellum' is inspired by Byron's creative collaboration with Dublin-based artist and calligrapher Denis Brown. The cross-fertilization of his inscribed and distressed vellum pieces in his series, The Word, and Byron's poems about the slaughtering of farm animals in her book, The Fat-Hen Field Hospital, has led to the creation of new work on both vellum and glass, as well as on the printed page.

Bella A pact made. Two orphans who vowed to never part. I was selfish-for once, I had to be. The last time I saw Callum he was standing at the dormer window as I sat in the back seat of a car. His dark eyes foreign to me. The hatred that radiated from his glare shot through me with more force than a silver bullet. In a matter of minutes he had become a stranger. No longer my best friend. He was now a boy with a hollow heart who was headed down a dark path. A path I knew I'd never cross again. Or, so I thought. CallumWe had a deal-always stay together. The day Bella left, I vowed I would find her. And when I did, she would feel what I felt as I watched her pull away into a new life, with a new family. Leaving me behind to endure a life that was wrapped inside the hands of a monster.It's been twelve years, but I've finally found her. Now it's time for her to bask in the darkness she's created inside of me.

Can Vellum make YOUR publishing life easier?The Vellum book formatting program is one of the front-runners in the self-publisher world today, and with good reason. Vellum takes on the big-publisher industry standards and implements them for the everyday user. It challenges the stigma that "ebooks always break and they have to be ugly" and gives you the chance to give your readers a beautiful, unbreakable ebook experience.Is Vellum the tool for you? This book shows you?- All the steps in a start-to-finish format- Best practices for ebook and print layouts- How to set up beautiful custom print book designs while keeping ebook delivery costs low- Tips for how PC users can access this Mac-based appWith two all-new chapters in this edition, setting up print page backgrounds plus common troubleshooting questions, this book will help demystify Vellum and set you up for success.

"The power source for Zhadan's writing is in its linguistic passion."—Die Zeit "One of the most important creative forces in modern Ukrainian alternative culture."—KulturSpiegel A city-dwelling executive heads home to take over his brother's gas station after his mysterious disappearance, but all he finds at home are mysteries and ghosts. The bleak industrial landscape of now-war-torn eastern Ukraine sets the stage for Voroshilovgrad, the Soviet era name of the Ukranian city of Luhansk, mixing magical realism and exhilarating road novel in poetic, powerful, and expressive prose. Serhiy Zhadan, one of the key figureheads in contemporary Ukrainian literature and the most famous poet in the country, has become the voice of Ukraine's "Euro-Maidan" movement. He lives in Kharkiv, Ukraine.

Black Hat Bureau, Book 1 Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent ten years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings. As much as Rue wants to kick him to the curb, she agrees to hear him out for old times' sake, and what he says chills her to the bone. The Silver Stag was the most notorious paranormal serial killer in modern history, and Rue brought him down. Now a copycat has picked up where the Stag left off, and the Bureau wants her on the case. She beat the Stag once. They think she can do it again. But they don't know she's given up black magic, and she's not about to tell them. White witches are prey, and Rue is the hunter, not the hunted. Always. But can she take down the protégé of the man who almost beat her at her black witch best? If she wants to keep her new town, her new home, her new life, then she has no choice but to find out.

Poetry. Chelsea Woodard's VELLUM, a finalist for the 2013 Able Muse Book Award, propels the reader along new paths of discovery in the quotidian as in the mythical. Its scope is far-ranging: a flower press received as a gift in childhood, Tarot reading with a favorite aunt, unexpected reflections at a tattoo parlor, reminiscing about an old flame, the discovery of rare volumes at the local library, or auctioning off old toys on eBay. Woodward's insights and sensibilities in the visual and performing arts are deftly realized in fine or broad strokes as in "Coppelia," "The Painter and the Color-blind," "Degas's Nudes," or as in "Still Life," which muses that "It's difficult/ to give back life/ to what's been cut off from the living." Stories and scenes represented in popular artwork are reimagined in ekphrastics such as "Self Portrait as the Allegory of Painting." With excursions into the surreal, myth is made, lived or remade, as in "Philomela," "Pegasus" and "The Feral Child." This is an exquisite debut collection that rewards the mind and senses with its formal impetus and deft musicality, its precise and lively language, its emotional compass. "In her stunning first collection, VELLUM, Chelsea Woodard offers us poems whose lucidity of attention grounds an imaginative realism where narrative becomes speculation, witness becomes mystery, and the body a space where desire and dread complicate compassion's summons to the social order. The honed music here thus reveals a deeper vulnerability. Such is its gift, the way in which poems might be rooted to the difficulty and heartbreak of the physical and yet apart, 'their keel and gristle finally set/ into some deathless, disembodied flight.' An astonishing book." Bruce Bond "In addition to her emotional maturity, part of what makes these poems memorable is Woodard's obvious mastery of language, her flawless sentences, the surprising way those sentences function and 'mean' within the lines, the lines within the forms." Claudia Emerson, from the Foreword "Not the least of the attractions of this gifted young poet's first book is the exquisite, searing precision of her language the obsessively exact diction; the tropes that map with such stunning accuracy the emotional contours of her narratives; the gestural, almost tactile quality of her syntax all of these talents focused sharply on what Howard Nemerov said was the singular, most difficult achievement of poetry: 'getting something right in language.' I predict for Chelsea Woodard a long and enviable career." B.H. Fairchild"