In The Europe Illusion, Stuart Sweeney considers Britain’s relationships with France and Prussia-Germany since the map of Europe was redrawn at Westphalia in 1648. A timely and far-sighted study, it argues that integration in Europe has evolved through diplomatic, economic, and cultural links cemented among these three states. Indeed, as wars became more destructive and economic expectations were elevated these states struggled to survive alone. Yet it has been rare for all three to be friends at the same time. Instead, apparent setbacks like Brexit can be seen as reflective of a more pragmatic Europe, where integration proceeds within variable geometry.

Europe is in a period of transition and there is great uncertainty about its direction. No country plays a greater role in influencing Europe's future path than Germany, which is either seen as overbearing or indecisive in its imposition of policies-and sometimes is seen as both at once. In The Germany Illusion, Marcel Fratzscher provides a distinctive corrective to common misunderstandings of Germany's domestic political economy and how it affects its European and global roles. Fratzscher's trenchant analysis sheds light on the true state of Germany's economy, which is neither as rosy as optimists believe nor as hidebound as pessimists fear. He covers the breadth of the German economy, from its deceptive employment miracle, the sources and underlying problems of its export strengths, its large investment gap, and not least the differences between east and west that continue since reunification. Understanding the domestic scene in Germany is crucial to understanding its relationships with other European countries, the European Union, and the United States. Fratzscher traces the sources and implications of the differences and conflict between Germany and its neighbors on European policymaking generally and in particular during the European economic and financial crisis, the Brexit debate, the refugee crisis, the rising populism and protectionism in the United States and in Europe, and over fundamental reforms of European institutions. The Germany Illusion is a balanced and nuanced examination of pressing and complex issues that enhances our understanding of German policies-the strengths and weaknesses, the possibilities and the limits. It also proposes a realistic path for Germany to re-engage with its European neighbors and with the United States, and to help re-build Europe's future.

Overview of Nazi cinema

Examines Jewish-German “tropes” in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright. Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous's late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria. Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous's work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel's 2018 documentary, Ever, Rêve, Hélène Cixous, Morel's The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity's genocidal history in a new way.

Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.

Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews

Sally Marks provides a compelling analysis of European diplomacy between the First World War and Hitler's advent. She explores in clear and lively prose the reasons why successive efforts failed to create a lasting peace in the interwar era. Building on the theories of the first edition - many of which have become widely accepted since its publication in 1976 - Marks reassesses Europe's leaders of the period, and the policies of the powers between 1918 and 1933, and beyond. Strongly interpretative and archivally based, The Illusion of Peace examines the emotional, ethnic, and economic factors responsible for international instability, as well as the distortion of the balance of power, the abnormal position of the Soviet Union, the weakness of France and the uncertainty of her relationship with Britain, and the inadequacy of the League of Nations. In so doing, the study clarifies the complex topics of reparations and war debts and challenges traditional assumptions, concluding that widespread western devotion to disarmament and dedication to peace were two of several reasons why democratic statesmen could not respond decisively to Hitler's threat. In this new edition Marks also argues that the Allied failure to bring defeat home to the German people in 1918-19 generated a resentment which contributed to interwar instability and Hitler's rise. This highly successful study has been thoroughly revised and updated to reflect the latest scholarship. Now in its second edition, it remains the essential introduction to the tense political and diplomatic situation in Europe during the interwar years.