Germanic - one of the largest sub-groups of the Indo-European language family - comprises 37 languages with an estimated 470 million speakers worldwide. This book presents a comparative linguistic survey of the full range of Germanic languages, both ancient and modern, including major world languages such as English and German (West Germanic), the Scandinavian (North Germanic) languages, and the extinct East Germanic languages. Unlike previous studies, it does not take a chronological or a language-by-language approach, organized instead around linguistic constructions and subsystems. Considering dialects alongside standard varieties, it provides a detailed account of topics such as case, word formation, sound systems, vowel length, syllable structure, the noun phrase, the verb phrase, the expression of tense and mood, and the syntax of the clause. Authoritative and comprehensive, this much-needed survey will be welcomed by scholars and students of the Germanic languages, as well as linguists across the many branches of the field.

Provides a unique, up-to-date survey of twelve Germanic languages from English and German to Faroese and Yiddish.

'A New History of German Literature' offers some 200 essays on events in German literary history.

This is a study in the pathology of cultural criticism. By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbehn, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.

One of the most intriguing questions of our time is how some of the masterpieces of modernity originated in a country in which personal liberty and democracy were slow to emerge. This Companion provides an authoritative account of modern German culture since the onset of industrialisation, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture - including national identity, class, Jews in German society, minorities and women, the functions of folk and mass culture, poetry, drama, theatre, dance, music, art, architecture, cinema and mass media - from the nineteenth century to the present. Guidance is given for further reading and a chronology is provided. In its totality the Companion shows how the political and social processes that shaped modern Germany are intertwined with cultural genres and their agendas of creative expression.