Author's abstract: Studies of prisoners of war in America have received renewed attention since the opening of the prisoner facility at Guantanamo Bay, Cuba. However, this is not a new field of scholarship. Since the 1970s, with Arnold Krammer’s Nazi Prisoners of War in America, American treatment of prisoners, especially during WWII,has flourished as a field. Increasingly popular in the 1980s were statewide studies of prisoner of war camps and the captive experience. Despite this focus, Georgia’s role in prisoner of war administration and the captive’s experiences have been overlooked. This thesis seeks to remedy this gap. Georgia housed prisoners of war and enemy aliens in World War I, with two of the three containment facilities residing within the state’s borders. In World War II, the state boasted five major prisoner of war camps with several accompanying branch camps. The labor garnered from prisoner labor programs supplemented the draft-drained labor pool, especially in the agricultural industry in rural Georgia. The impact of the labor programs was undeniable, and prisoner of war labor prevented an economic downturn throughout the state. The prisoners oftentimes developed relationships with their employers, blurring the lines between enemy and captor. The following study offers a comparative view of WWI and WWII programs, arguing that WWI prisoner of war plans provided the prototype for the successful administration of POWs in WWII.

During World War II, many Georgians witnessed the enemy in their backyards. More than twelve thousand German and Italian prisoners captured in far-off battlefields were sent to POW camps in Georgia. With large base camps located from Camp Wheeler in Macon and Camp Stewart in Savannah to smaller camps throughout the state, prisoner reeducation and work programs evoked different reactions to the enemy. There was even a POW work detail of forty German soldiers at Augusta National Golf Course, which was changed from a temporary cow pasture to the splendid golf course we know today. Join author and historian Dr. Kathryn Roe Coker and coauthor Jason Wetzel as they explore the daily lives of POWs in Georgia and the lasting impact they had on the Peach State.

Tour the camps, learn stories of the daily lives of the POWs, and discover the impact they had on the Old Dominion. During World War II, Virginians watched as German and Italian prisoners invaded the Old Dominion. At least 17,000 Germans and countless Italians lived in over twenty camps across the state and worked on five military installations. Farmers hired POWs to pick apples. Fertilizer companies, lumber yards, and hospitals hired them. At first a phenomenon of war in Virginia's backyard, these former enemy combatants became familiar to many--often developing a rapport with their employers. Among them were die-hired Nazis and Fascists, but they benefited from double standards that placed them in better jobs and conditions than African Americans. Historians Kathryn Coker and Jason Wetzel tell a different story of the Old Dominion at War.

A “New & Noteworthy” selection of The New York Times Book Review “Alexis Clark illuminates a whole corner of unknown World War II history.” —Walter Isaacson, New York Times bestselling author of Leonardo da Vinci “[A]n irresistible human story. . . . Clark's voice is engaging, and her tale universal.” —Jon Meacham, Pulitzer Prize–winning author of Thomas Jefferson: The Art of Power and American Lion: Andrew Jackson in the White House A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler's army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil. Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war. Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court's Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history's most violent conflicts.

Offers a portrait of the twentieth-century woman artist through discussions of her marriage to art photography pioneer Alfred Stieglitz, the impact of his infidelity on her psyche, and her relocation to New Mexico, where she created her signature works.

Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob. Mary's lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner's story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White's report in the NAACP's newspaper the Crisis, the “Kabnis” section of Jean Toomer's Cane, Angelina Weld Grimké's short story “Goldie,” and Meta Fuller's sculpture Mary Turner: A Silent Protest against Mob Violence. Like those of Emmett Till and Leo Frank, Turner's story continues to resonate on multiple levels. Armstrong's work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation's legacy of racial violence.