German Classics of the Nineteenth and Twentieth Centuries is a collection of carefully selected masterpieces of German literature in last two centuries. The most representative German writers of each period are brought together and represented by their best and finest works from the great epoch of Classicism and Romanticism to early modern literature of twentieth century: Vol. I & II: Johann Wolfgang von Goethe Vol. III: Friedrich von Schiller Vol. IV: Jean Paul; Wilhelm von Humboldt; August Wilhelm Schlegel; Friedrich Schlegel; Novalis; Friedrich Hölderlin; Ludwig Tieck; Heinrich von Kleist Vol. V: Friedrich Schleiermacher; Johann Gottlieb Fichte; Friedrich Wilhem Joseph von Schelling; Ludgwig Achim von Arnim and Clemens Brentano; Jacob and Wilhelm Grimm; Ernst Moritz Arndt; Theodor Kürner; Maximilian Gottfried von Schenkendorf; Ludwig Uhland; Joseph von Eichendorff; Adalbert von Chamisso; Ernst Theodor Amadeus Hoffmann; Friedrich Baron de la Motte-Fouqué; Wilhelm Hauff; Friedrich Rükert; August von Platen-Hallermund Vol. VI: Heinrich Heine; Franz Grillparzer; Ludwig van Beethoven Vol. VII: Georg Wilhelm Friedrich Hegel; Bettina von Arnim; Karl Lebrecht Immermann; Karl Ferdinand Gutzkow; Anastasius Grün, Nikolaus Lenau; Eduard Mörike; Annette Elizabeth von Droste-Hülshoff; Ferdinand Freiligrath; Moritz Graf von Strachwitz; Georg Herwegh; Emanual Geigel Vol. VIII: Berthold Auerbach; Jeremias Gotthelf; Fritz Reuter; Adalbert Stifter; Wilhelm Heinrich Riehl Vol. IX: Friedrich Hebbel; Otto Ludwig Vol. X: Prince Otto von Bismarck; Count Helmuth von Moltke; Ferdinand Lassalle Vol. XI: Friedrich Spielhagen; Theodor Storm; Wilhelm Raabe Vol. XII: Gustav Freytag; Theodor Fontane Vol. XII: Helene Böhlau; Clara Viebig; Eduard von Keyserling; Thomas Mann; Ludwig Thoma; Rudolf Hans Bartsch; Emil Strauss; Hermann Hesse; Ernst Zahn; Jakob Schaffner Vol. XIV: Jakob Wassermann; Bernhard Kellermann; Max Halbe; Hugo von Hofmannsthal; Arthur Schnitzler; Frank Wedekind; Ernst Hardt

The German Classics of the 19th and 20th Century is a monumental 14-volume collection showcasing the literary masterpieces of German authors from the 19th and 20th centuries. From the romanticism of Goethe and Heine to the expressionism of Rilke and Kafka, this collection covers a wide range of genres and styles, providing a comprehensive overview of German literature during this period. Each volume is meticulously curated and annotated to offer readers a deeper understanding of the cultural and historical context in which these works were written. The collection is a must-read for anyone interested in German literature and its impact on Western culture.The editor of this collection, Various, is a renowned literary scholar with a deep knowledge of German literature. His expertise and passion for the subject shine through in the thoughtful selection and presentation of these classic works. Various's dedication to preserving and celebrating the rich literary heritage of Germany is evident in this comprehensive collection.I highly recommend The German Classics of the 19th and 20th Century to anyone looking to explore the depths of German literature. Whether you are a student, a researcher, or a literary enthusiast, this collection offers a valuable insight into the cultural and artistic achievements of Germany's most beloved authors.

German-Greek Yearbook of Political Economy, Volume 1/2018 Introduction to the Volume George Tridimas, When the Greeks Loved the Germans: The Political Economy of King Otto’s Reign Korinna Schönhärl, Why invest in Greece? Gerson von Bleichröder and the Greek loan of 1889 Konstantinos Pilpilidis, A Tale of Two States: Explaining Constitutional Choice in Germany and Greece Athanasios Gromitsaris, On Some Aspects of Administrative Justice in Post-Revolutionary Greece and their Relevance Today Barbara Klose-Ullmann, Medea on Stage: Child Murderess or Abandoned Wife? Emmanouil-Marios L. Economou and Nicholas Kyriazis, Ancient Greek Achaeans, Modern Germans and EU Integration: An Interdisciplinary Analysis of Federations Anja Pütz, The Athena of Dornach: A Bronze Statuette Unearthed in Munich’s Neighborhood Heinz D. Kurz, Marx on Aristotle and the Problem of the ‘Common Third’: A Sra ffi an perspective Konstantinos Koulaouzidis, ARS COMBINATORIA v2.5 or: The 64 Ways of Order Information: Conference Program

The articles in this first volume of ARCHIMEDES explicitly and intentionally cross boundaries between science and technology, and they also illuminate one another. The first three contributions concern optics and industry in 19th century Germany; the fourth concerns electric standards in Germany during the same period; the last essay in the volume examines a curious development in the early history of wireless signalling that took place in England, and that has much to say about the establishment and enforcement of standard methods in a rapidly-developing technology that emerged out of a scientific effect. Historical work over the last few decades has shown that technology cannot be characterized simply, or even usually, as applied science. The beliefs, the devices, and the natural objects that are created or discovered by scientists, often play altogether minor roles in the construction of technologies. Taking this realization as a given, the essays in Scientific Credibility and Technical Standards effectively argue that we must now seek to go beyond it; we must also begin to think carefully about the role that science actually did play when it was explicitly deployed by technologists.

The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.