The country house was the focal point of Georgian architecture, landscape and society. This book explores the meaning of this distinct cultural form using a wide range of examples and approaches. Dana Arnold presents an analysis of the social and cultural significance of the country house, and her work is complemented by essays from experts in a variety of disciplines. Illustrations, showing exteriors, interiors and landscapes of houses ranging from Blenheim and Harewood to lesser known examples such as A la Ronde, provide a thorough historical and visual survey of the period. This title offers fresh interpretations and enables the reader to gain an insight into the pivotal role the country house played in 18th- and early 19th-century society.

Told through the stories, journals and personal letters of the women of the powerful Fox family, Wives and Daughters is a window into the daily lives and experiences of women of eighteenth-century aristocratic society and the country houses that symbolized the power and taste of eighteenth-century Britain. Combining personality with historical setting and detail, Joanna Martin traces the lives of fifteen individual women in their four country houses through several generations, in society and at home. Taking an intimate and personal look at courtship, marriage, childbirth, education, houses and gardens, reading, hobbies, travel and health, this book is an engrossing account of woman's lives in this fascinating time.

A deft interweaving of architectural and social history

For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.

The brilliantly restored St. Giles House, in the idyllic Dorset countryside, offers high-point Georgian architecture and interiors that bridge many historical styles. The 12th Earl of Shaftesbury, 39-year-old Nicholas Ashley-Cooper, invites the reader into the house that his family has called home since the fifteenth century. In recent years, his award-winning restoration has brought the house back to life, transforming exquisite spaces that honor the past while being suited to twenty-first-century living. English country-house splendor, through the hands of some of the world’s top artisans and craftspeople, returns to the house in the form of re-created wallpapers, customized paints, revived furniture from the Georgian and Victorian periods, reworked antique Brussels tapestries, restored plasterwork and textiles, and a complete overhaul of the landscape, with its sunken garden, woodlands, avenue of beeches, lake, and shell-encrusted grotto. With stories of noteworthy architecture, beautiful interiors, and centuriesof a single family’s involvement in British and world history, this book will appeal to devotees of country living, the aristocratic life, historic houses, and English interior design.

This title takes a fresh look at a familiar building type - the town house in 18th century London - and investigates the circumstances in which individuals made decisions about living in London, and particularly about their West End house.

The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.