In The Genuine Article Paul Gilmore examines the interdependence of literary and mass culture at a crucial moment in U. S. history. Demonstrating from a new perspective the centrality of race to the construction of white manhood across class lines, Gilmore argues that in the years before the Civil War, as literature increasingly became another commodity in the capitalist cultural marketplace, American authors appropriated middle-brow and racially loaded cultural forms to bolster their masculinity. From characters in Indian melodramas and minstrel shows to exhibits in popular museums and daguerrotype galleries, primitive racialized figures circulated as “the genuine article” of manliness in the antebellum United States. Gilmore argues that these figures were manipulated, translated, and adopted not only by canonical authors such as Hawthorne, Thoreau, Cooper, and Melville but also by African American and Native American writers like William Wells Brown and Okah Tubbee. By examining how these cultural notions of race played out in literary texts and helped to construct authorship as a masculine profession, Gilmore makes a unique contribution to theories of class formation in nineteenth-century America. The Genuine Article will enrich students and scholars of American studies, gender studies, literature, history, sociology, anthropology, popular culture, and race.

"A masterly quarter-century of commentary on the discipline of American history."—Allen D. Boyer, New York Times Book Review "This book amounts to an intellectual autobiography....These pieces are thus a statement of what I have thought about early Americans during nearly seventy years in their company," writes historian Edmund S. Morgan in the introduction to this landmark collection. The Genuine Article gathers together twenty-five of Morgan's finest essays over forty years, commenting brilliantly on everything from Jamestown to James Madison. In revealing the private lives of "Those Sexy Puritans" and "The Price of Honor" on Southern plantations, The Genuine Article details the daily lives of early Americans, along with "The Great Political Fiction" that continues to this day. As one of our most celebrated historians, Morgan's characteristic insight and penetrating wisdom are not to be missed in this extraordinarily rich portrait of early America and its Founding Fathers.

Fans of Hollywood and Americana will be eager to own the authorized photographic account of John Wayne, cinema legend. John Wayne: The Genuine Article provides readers a rare glimpse into the life of one of the most iconic movie stars of all time through a treasure trove of memorabilia, stories, and interviews. This definitive book includes John Wayne Enterprises' collection of never-before-seen letters and telegrams as well as incredibly compelling text from Wayne's unfinished memoir. Important milestones in the Academy Award-winning actor, director, and producer's life are also well documented here through anecdotes, photos, and visually rich ephemera including boots, hats, and saddles. The story of John Wayne's rise, reach, and influence in American culture is alive and well in this brilliant opus. With a foreword by Jimmy Carter and a preface by his son Ethan Wayne, John Wayne: The Genuine Article presents the complete story of how an ordinary man became a top box office draw for six decades, and a larger-than-life Icon known simply as the Duke.

Filled with the bestselling, award-winning author's trademark wordplay and inventive storytelling, here is the dizzyingly entertaining, wickedly humorous story of a mysterious stranger whose sudden appearance during a family’s summer holiday transforms four variously unhappy people. Each of the Smarts—parents Eve and Michael, son Magnus, and the youngest, daughter Astrid—encounter Amber in his or her own solipsistic way, but somehow her presence allows them to see their lives (and their life together) in a new light. Smith’s narrative freedom and exhilarating facility with language propel the novel to its startling, wonderfully enigmatic conclusion.

Burt Lancaster is perhaps most widely remembered as the tough, iron-jawed star of films such as Gunfight at the OK Corral and Airport. But as this superbly readable and insightful biography demonstrates, he was an actor with much broader ambitions – brilliantly realised in Visconti’s The Leopard – as well as the founder of the first actor-led production company in Hollywood. Lancaster’s liberal political views led not only to frequent clashes with the House Un-American Activities Committee and a voluminous FBI file, but also a private life that was colourful even by Hollywood standards. Although a devoted father and husband (to three wives), the actor took numerous lovers – of both sexes. In his sexual tastes as in his choice of roles, he defied classification. Kate Buford’s definitive biography offers a full, frank, sensitive and compelling portrait of the star of Atlantic City, From Here to Eternity and Elmer Gantry (for which he won a Best Actor Oscar). Lancaster emerges as a man of restless energy, relentless curiosity and continual development as an actor: a star every bit as interesting offscreen as on. As one American reviewer put it: ‘Not many film stars receive first-class biographies; Burt Lancaster not only deserved one, he got one.’ Acclaimed biographer Kate Buford has been a regular commentator on National Public Radio in the United States since 1994.

This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.”