For ten years, the well-received first edition of this introduction offered readers a way to look at scriptural texts that combines historical, narrative, and contemporary interests. Carter explores Matthew by approaching it from the perspective of the "authorial audience"--by identifying with and reading along with the audience imagined by the author. Now an updated second edition is available as part of a series focusing on each of the gospel writers as storyteller, interpreter, and evangelist. This edition preserves the essential identity of the original material, while adding new insights from Carter's more recent readings of Matthew's gospel in relation to the Roman Imperial world. Four of the seventeen chapters have been significantly revised, and most have had minor changes. There are also new endnotes directing readers to Carter's more recent published work on Matthew. Scholars and pastors will use the full bibliography and appendix on redaction and narrative approaches, while lay readers will appreciate the clear and straightforward text.

A second edition of Just James became necessary with the announcement of the discovery of a Jewish ossuary, or burial box, inscribed in Aramaic with the words, as commonly translated, James son of Joseph brother of Jesus. Through the publicity surrounding the controversial discovery many people are now aware that Jesus of Nazareth had a famous brother named James. How does the ossuary relate to understanding that James and that Jesus? This work sets out the varied considerations concerning this question while providing access to the early sources concerning James. In the process John Painter buttresses the case for recognizing James as the direct successor to Jesus and the leader of the original Christian movement in Jerusalem.

Jesus was a Jew. That simple statement carries with it a millennia of cultural bias, persecution, and ignorance. David Ray Bourquin attempts to shed some light on what it meant to be a Jew during the Roman Period with this detailed, annotated bibliography of works in English. Following a brief introduction and guide on how to use the book, Bourquin divides his work into three major sections: A. Primary Sources; B. Books; and C. Periodical and Serial Articles. In each section, materials are arranged by subject, and in each sub-section in alphabetical order by main entry. Entries include complete bibliographical data, plus concise, descriptive, and analytical annotations. A glossary and four detailed indexes, all correlated to entry numbers, complete the volume. Every student of the period will want a copy of this carefully compiled bibliography.