In The Genocide Contagion, Israel W. Charny asks uncomfortable questions about what allows people to participate in genocide—either directly, through killing or other violent acts, or indirectly, by sitting passively while witnessing genocidal acts. Charny draws on both historical and current examples such as the Holocaust and the Armenian Genocide, and presses readers around the world to consider how they might contribute to genocide. Given the number of people who die from genocide or suffer indirect consequences such as forced migration, Charny argues that we must all work to resist and to learn about ourselves before critical moments arise.

Uses unique field data to offer a rigorous explanation of how Rwanda's genocide occurred and why Rwandans participated in it.

Explores the role of the media in the Rwandan genocide -- within the country and beyond.

During the twentieth century, the Balkan Peninsula was affected by three major waves of genocides and ethnic cleansings, some of which are still being denied today. In Balkan Genocides Paul Mojzes provides a balanced and detailed account of these events, placing them in their proper historical context and debunking the common misrepresentations and misunderstandings of the genocides themselves. A native of Yugoslavia, Mojzes offers new insights into the Balkan genocides, including a look at the unique role of ethnoreligiosity in these horrific events and a characterization of the first and second Balkan wars as mutual genocides. Mojzes also looks to the region's future, discussing the ongoing trials at the International Criminal Tribunal in Yugoslavia and the prospects for dealing with the lingering issues between Balkan nations and different religions. Balkan Genocides attempts to end the vicious cycle of revenge which has fueled such horrors in the past century by analyzing the terrible events and how they came to pass.

"Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age’s media-saturated disaster coverage and our addiction to viewing and discussing the world’s ills. We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten—and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end—if indeed it will—and why we can’t stop fantasizing about it. Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world. "A work of sheer brilliance, beauty and bravery.” *—Andrew Sean Greer, author of Less

Provides comprehensive, up-to-date coverage of the key themes and principles of conflict economics.

In this timely, insightful, and darkly funny investigation, the acclaimed author of Against Love asks: what does living in dystopic times do to our ability to love each other and the world? COVID-19 has produced new taxonomies of love, intimacy, and vulnerability. Will its cultural afterlife be as lasting as that of HIV, which reshaped consciousness about sex and love even after AIDS itself had been beaten back by medical science? Will COVID end up making us more relationally conservative, as some think HIV did within gay culture? Will it send us fleeing into emotional silos or coupled cocoons, despite the fact that, pre-COVID, domestic coupledom had been steadily losing fans? Just as COVID revealed our nation to itself, so did it hold a mirror up to our relationships. In Love in the Time of Contagion, Laura Kipnis weaves (often hilariously) her own (ambivalent) coupled lockdown experiences together with those of others and sets them against a larger backdrop: the politics of the virus, economic disparities, changing gender relations, and the ongoing institutional crack-ups prompted by #MeToo and Black Lives Matter, mapping their effects on the everyday routines and occasional solaces of love and sex.