New package for a cult classic. First published in 2003, The Book of Lies was hailed as a 21st grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars, and forward thinkers, all curated by Disinformation's former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, Secret Societies, Psychedelics, and Magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Terence McKenna asks if we contact "aliens" with the smokable drug DMT Daniel Pinchbeck recounts his psychedelic and magical experiences Techgnosis author Eric Davis writes about H.P. Lovecraft Robert Anton Wilson writes about the similarities between Aleister Crowley and Timothy Leary Donald Tyson's "The Enochian Apocalypse Working" ask if the seeds of the end of the world sown in the Elizabethan era. Other contributors or subjects written about include Brian Barritt, Vere Chappell, Ida Craddock, Joe Coleman, Nevill Drury, Stephen Edred Flowers, T. Allen Greenfield, Gary Lachman, Anton Lavey, Peter Levenda, Grant Morrison, Michael Moynihan, Rosaleen Norton, Jack Parsons, Austin Osman Spare, and Tracy Twyman. It's all here and more!

"[Evenson's] scary fictional treatment of church hypocrisy has the feeling of a reasoned attack on blind religious obedience."—Publishers Weekly Provost Eldon Fochs may be a sexual criminal. His therapist isn't sure, and his church is determined to protect its reputation. Father of Lies is Brian Evenson's fable of power, paranoia, and the dangers of blind obedience, and a terrifying vision of how far institutions will go to protect themselves against the innocents who may be their victims.

From a USA Today bestselling author comes book three in the addictive Coventry Saga. Her invention could save thousands of lives...if she can survive long enough to share it. Jacqui's research could lead to a cure for Alzheimer's disease, and she's determined to ensure the technology goes to the company with the best shot at creating life-saving products, not just the highest bidder. When her lab is broken into, she realizes her partner is desperate to get his hands on her research and the money it'll bring. Jacqui goes into hiding, planning to lie low until she can find a buyer who lives up to her expectations. Reid's life is all about protecting his daughter, but when she leaves for a month to visit her mother, he finds himself at loose ends. The pretty new manager at the ice cream shop seems like a good diversion, but he soon realizes there's more to Jacqui than doling out scoops of rocky road. When he senses danger, he's tempted to step away-he won't allow any threat to come near his daughter-but how can he turn his back on a woman in danger, one he's coming to care for? Jacqui's former partner is closing in and getting more desperate by the day. He'll stop at nothing to get the payout he feels he deserves. Join Jacqui and Reid as they navigate this pulse-pounding, faith-filled adventure into the high-stakes world of medical research, innovation, and greed.

‘Both knowledge and truth are beautiful things, but the Good is other and more beautiful than they.’ — Plato, Republic, 508e. This book traces the multiple meanings of art back to their historical roots, and equips the reader to choose between them. Art with a capital A turns out to be an invention of German Romantic philosophers, who endowed their creation with the attributes of genius, originality, rule breaking, and self-expression, directed by the spirit of the age. Recovering the problems that these attributes were devised to solve dispels many of the obscurities and contradictions that accompany them. What artists have always sought is excellence, and they become artists in so far as they achieve it. Quality was the supreme value in Renaissance Italy, and in early Greece it offered mortals glimpses of the divine. Today art historians avoid references to beauty or Quality, since neither is objective or definable, the boundaries beyond which scholars dare not roam. In reality subject and object are united and dissolved in the Quality event, which forms the bow wave of culture, leaving patterns of value and meaning in its wake.

Prelude to Waking: A Novel in the First Person and Parentheses (1950) is a novel by Australian writer Miles Franklin, which was originally published under the author's pseudonym "Brent of Bin Bin". The novel is set in England, France, and the USA, in the period immediately following World War I. The story is told by Nigel Barraclough about Merlin Giltinane and her father and brother from Australia.

"In this science fiction thriller, brothers are pitted against each other as a pandemic threatens to destabilize world governments by exerting a subtle mind control over survivors"--