2008, 2010, and 2016—three important points in recent history when mass rage emerged in Kashmir. But the reasons that pushed Kashmir to the brink on these three occasions were different from each other—from a perceived threat to identity, to rage over the killing of innocents, to support for militancy. If one looks closely, one could spot another important change: by 2016, a new generation of millennials had replaced those who had pelted stones in 2008. And, in a matter of a mere decade, the hope that was slowly permeating Kashmir suddenly collapsed and gave way to a new round of militancy. In this book David Devadas, a respected authority on Kashmir, delves into his deep understanding of the region and its youth to offer a unique understanding of the Kashmir issue. He relates the increase in the generation of rage in Kashmir to the inability of those in power to declare the end of militancy at the right time. Exploring vital aspects of the conflict economy, murders for rewards, and terror acts by state-backed mercenaries, Devadas shows how simplistic black-and-white narratives suit both pro- and anti-state actors equally and lead the poor and marginal to their deaths.

Blending analyses with anecdotes, Kashmir: Rage and Reason is the Valley's new-age writing, which traces, in lucid language, the region's tortured history, the many facets of Kashmiri nationalism, and the betrayals. The author has woven together his anecdotes and people's narratives from ground zero to give us the real picture in all its starkness, minus any journalistic dressing.

Sitting in her grandmother Dhanna's kitchen, surrounded by the aromas of mint and the smoke of a hookah, warmed by the kangri tucked beneath her thighs, young Sudha Koul listened to tales of She Who Fears Nothing: The Tiger Lady, stories Sudha would repeat to her own daughters in time, though in a kitchen many thousands of miles away from her beloved Kashmir. This is a magical memoir of a land now consumed by political and religious turmoil, a richly detailed story of a girl's passage into maturity, marriage, and motherhood in the midst of an exquisite and fragile world that will never be entirely the same.

The book is based on archival material accessed for the first time from the Nehru Papers and the archives of the Ministry of External Affairs, Government of India. It provides readers with a new perspective on a great many significant issues of the sub-continent's India–Pakistan discourse. The Partition was an opportunity for the two nations to go their own ways and build egalitarian societies, complementing each other. Unfortunately, unable to transcend old animosities, Pakistan added new ones to construct the bogey of Indian hegemony. This was diametrically opposed to India's determination to steer clear of the past and pursue a positive policy towards Pakistan, since it shared centuries of historical, economic, social and cultural ties with its people. For India, the separation was like a family dividing its assets by mutual agreement of its members and living peacefully thereafter. For Pakistan, however, the separation was akin to a permanent breakup of a family, which was accompanied by the nursing of grievances and the harbouring of adversarial feelings. It is this mental make-up dictating the Indo–Pakistan narrative in the years following the Partition, which the book succinctly captures.

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Reversing his parents immigrant path, a young writer returns to India and discovers an old country making itself new. Anand Giridharadas sensed something was afoot as his plane prepared to land in Bombay. An elderly passenger looked at him and said, Were all trying to go that way, pointing to the rear. You, youre going this way. Giridharadas was...

*Shortlisted for the DSC Prize for South Asian Literature 2016* Mirza Waheed's extraordinary new novel The Book of Gold Leaves is a heartbreaking love story set in war-torn Kashmir. In an ancient house in the city of Srinagar, Faiz paints exquisite Papier Mache pencil boxes for tourists. Evening is beginning to slip into night when he sets off for the shrine. There he finds the woman with the long black hair. Roohi is prostrate before her God. She begs for the boy of her dreams to come and take her away. Roohi wants a love story. An age-old tale of love, war, temptation, duty and choice, The Book of Gold Leaves is a heartbreaking tale of a what might have been, what could have been, if only. 'I loved it. The voice is lyrical, to match the beauty of Kashmir, and yet it is tinged with melancholy and grief, as is the story it tells' Nadeem Aslam (on The Collaborator) 'Waheed's prose burns with the fever of anger and despair; the scenes in the valley are exceptional, conveying, a hallucinatory living nightmare that has become an everyday reality for Kashmiris' Metro (on The Collaborator) Mirza Waheed was born and brought up in Kashmir. His debut novel The Collaborator was shortlisted for the Guardian First Book Award and the Shakti Bhat Prize, and longlisted for the Desmond Elliott Prize. It was also book of the year for The Telegraph, New Statesman, Financial Times, Business Standard and Telegraph India, among others. Waheed has written for the BBC, The Guardian, Granta, Al Jazeera English and the New York Times. He lives in London.