Mingling memoir, history, politics, and mythology, the doctor who could not save Neda Agha-Soltan tries to understand how the Iranian revolution that brought down the Shah's peacock throne evolved into an equally repressive regime--and how his generation can reclaim their country.

The Gaze of the Gazelle is the memoir of an Iranian doctor and writer who grew up in Iran during the Islamic Revolution of 1979, the Iran-Iraq war and its horrors, and the complexities of living under a totalitarian regime. On June 20, 2009, during demonstrations to protest the contested and controversial Iranian presidential election, a young girl named Neda Agha-Soltan was shot to death in the streets of Tehran. Within hours, the video footage of her death, captured on a roving camera-phone, had circled the globe. It was also the moment of choice for Arash Hejazi--a writer who had originally trained as a doctor--who tried and failed to save Neda's life. Within days Hejazi left Iran to tell the world the story the government was denying: Neda had died at the hands of the pro-government militia. The Gaze of the Gazelle is Hejazi's personal story of how that tragedy came to be and how it will change the course of politics in Iran for a new generation. In a tale that mingles politics and the personal, mythology and history, Hejazi tries to answer the question: How did it come to this? His quest for an answer leads him through the story of the decades long aftermath of the Iranian Revolution, when Ayatollah Khomeini was brought back from exile to drive the Shah from his throne and set up the Islamic Republic of Iran.Against the background of Saddam Hussein's invasion of Iran and the prolonged war that followed, Hejazi skillfully interweaves his own story and those of his family and friends with the machinations of the mullahs and politicians who seek to control Iranian lives. This timely, moving, and eloquent book describes the determination of a new generation to recover hope in the name of Neda, who gave her life in pursuit of a freer and better world.

Under the Gaze of Angels offers treasured views of family and neighborhood life, native to the Galilee, in the years leading up to and following the upheavals of 1948. A collection of four stories, told with simplicity and warmth, they include three set during the time of British mandate rule: “Zuha and the Book Vendor,” “The English Gramophone,” and “Yildiz the Turkish Woman.” These are followed by the book’s title work, a remembrance that travels from childhood to elder years, pursued by loss. Imagined or recalled in exile, these vivid, evocative mementos quietly disarm the violence that surrounds them, restoring a stolen past to memory under the gaze of angels.

As mesmerizing as a tale from the lips of Sheherazade, Gazelle traces the story of Elizabeth, a thirteen-year-old American girl whose adolescent passion is awakened in the exotic climate of 1950s Cairo. While her mother–whose beauty and sexual prowess both frighten and fascinate Elizabeth–moves into a hotel to pursue a string of lovers, her father, a historian, loses himself in a world of chess and toy soldiers. Elizabeth’s imagination, primed by an explicit edition of The Arabian Nights, leads her to fantasies about her father’s friend, a gentle, older man named Ramses Ragab, a perfume maker who visits their house regularly to play games of war and who opens her up to the mystery of hieroglyphics and the art of exotic scents.

Set in the aftermath of Iran's fraudulent elections of 2009, Zahra's Paradise is the fictional graphic novel of the search for Mehdi, a young protestor who has vanished into an extrajudicial twilight zone.

Reza Shah Pahlavi introduced policies that altered the lives of Iranian women radically. For the first time, women entered into modern sectors of the economy, family laws were modified, the unveiling was enforced, and the government established public coeducational primary schools. The rapid development of women’s schools, in spite of bitter clerical objection, was one of the primary means for women’s awakening in this period. The mid-1930s also saw the opening of higher education to women and enrollment of over seventy female students in 1936–37 at the University of Tehran. Reflecting on this radical change in the infrastructure of Iran’s social scene, Ali Dashti wrote his collections of short stories and essays—Fetneh, Jadoo, Hindu, and Sayeh—in which he analyzed the attitudes of upper-class women caught between the traditional and modern Europeanized societies of Tehran. These books are testaments to the courage of Ali Dashti to document the situation in Iranian society so accurately. With his assertive voice, he underlined the short stories with the actual political and social changes in Iran. Dashti’s humanistic ideas and his regard and high expectations for the human race, especially for women, are beyond time and place. The quality debates on the subject of human rights and gender equality presented in his short stories, written about a century ago in Iran, are only recently surfacing in the Western world.

Selected by Choice magazine as an Outstanding Academic Title Unveiling Eve is the first feminist inquiry into the Hebrew poetry and prose forms cultivated in Muslim and Christian Spain, Italy, and Provence in the eleventh through fourteenth centuries. In the Jewish Middle Ages, writing was an exclusively male competence, and textual institutions such as the study of scripture, mysticism, philosophy, and liturgy were men's sanctuaries from which women were banished. These domains of male expertise—alongside belles lettres, on which Rosen's book focuses—served as virtual laboratories for experimenting with concepts of femininity and masculinity, hetero- and homosexuality, feminization and virilization, transvestism and transsexuality. Reviewing texts as varied as love lyric, love stories, marriage debates, rhetorical contests, and liturgical and moralistic pieces, Tova Rosen considers the positions and positioning of female figures and female voices within Jewish male discourse. The idolization and demonization of women present in these texts is read here against the background of scripture and rabbinic literature as well as the traditions of chivalry and misogyny in the hosting Islamic and Christian cultures. Unveiling Eve unravels the literary evidence of a patriarchal tradition in which women are routinely rendered nonentities, often positioned as abstractions without bodies or reified as bodies without subjectivities. Without rigidly following any one school of feminist thinking, Rosen creatively employs a variety of methodologies to describe and assess the texts' presentation of male sexual politics and delineate how women and concepts of gender were manipulated, fictionalized, fantasized, and poeticized. Inaugurating a new era of critical thinking in Hebrew literature, Unveiling Eve penetrates a field of medieval literary scholarship that has, until now, proven impervious to feminist criticism.