In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes. The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.

In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes. The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.

Since the Age of Shadows ended, the people of Ranadon have lived under the merciless heat of two suns and the tyranny of Antonov, the Lion of Senet. Consumed by his lust for power and his unshakable belief in the capricious, almighty Goddess, Antonov’s rule is absolute. Only one man has the intelligence and will to break that hold…a man who could be King. Suddenly widowed, Morna Provin, Duchess of Elcast, has lost her only protector. With her son banished for an unspeakable crime, she faces a horrifying fate at the hands of the Lion of Senet as retribution for her relationship with the heretic Johan Thorn. But it is only part of a cunning scheme to lure her son, Dirk Provin, back into the fold so Antonov can consolidate his power once and for all. With his mother’s life at stake, Dirk Provin must emerge from hiding in the Baenlands and return to Elcast—setting in motion a rebellion that will expose long-buried secrets and ignite festering hatreds. For a ruler’s fears and a madman’s prophecy will start Dirk on a quest for truth that will spark a fierce battle between two very different men: one who believes only what his five senses tell him, the other obsessed by his faith in the divine. It is a clash that will bring to light a revelation that may shatter them all.

Labyrinths, Intellectuals and the Revolution traces the development of the postcolonial Arabic-language Moroccan novel from its roots in travel narratives and autobiography into its more mature period of stylistic and thematic diversity in the early 1970s. This study first undertakes an exploration of the political, social and artistic conditions under which the genre developed, then moves to close readings of each of the formative texts, grouped by theme. The analysis of these texts centers around their spatial practices: there is a tension between the labyrinthine space of the street, which deflects legibility, and the sacred interior within the blank walls, wherein a certain equality of gaze and power can be perceived.

Concise yet comprehensive, Clinical Neurology, Fourth Edition builds on the success of three previous editions in helping medical students, junior doctors, and practicing physicians acquire an improved understanding of the principles of neurology. The fourth edition has been fully revised and updated to take into account current developments in the investigation and treatment of neurological disorders. It retains a clinical focus, emphasizing the basic skills of history taking and neurological examination throughout. This edition presents expanded coverage of neurophysiology and motor neurone disease. Authored and edited by leading figures in neurology, this book is an indispensable introduction to the field of clinical neurology, for use in training and study as well as in the clinical setting.

The long-awaited new novel from the author of the global bestseller and modern classic, The Shadow of the Wind. As a child, Daniel Sempere discovered among the passageways of the Cemetery of Forgotten Books an extraordinary novel that would change the course of his life. Now a young man in the Barcelona of the late 1950s, Daniel runs the Sempere & Sons bookshop and enjoys a seemingly fulfilling life with his loving wife and son. Yet the mystery surrounding the death of his mother continues to plague his soul despite the moving efforts of his wife Bea and his faithful friend Fermín to save him. Just when Daniel believes he is close to solving this enigma, a conspiracy more sinister than he could have imagined spreads its tentacles from the hellish regime. That is when Alicia Gris appears, a soul born out of the nightmare of the war. She is the one who will lead Daniel to the edge of the abyss and reveal the secret history of his family, although at a terrifying price. The Labyrinth of the Spirits is an electrifying tale of passion, intrigue and adventure. Within its haunting pages Carlos Ruiz Zafón masterfully weaves together plots and subplots in an intricate and intensely imagined homage to books, the art of storytelling and that magical bridge between literature and our lives. 'For the first time in 20 years or so as a book reviewer, I am tempted to dust off the old superlatives and event to employ some particularly vulgar clichés from the repertoire of publishers' blurbs. My colleagues may be shocked, but I don't care, I can't help myself, here goes. The Shadow of the Wind is a triumph of the storyteller's art. I couldn't put it down. Enchanting, hilarious and heartbreaking, this book will change your life. Carlos Ruiz Zafón has done that exceedingly rare thing - he has produced, in his first novel, a popular masterpiece, an instant classic' Daily Telegraph

From his army of the undead, Xar, Lord of the Nexus, learns of the existence of the mysterious Seventh Gate. It is said that this gate grants whoever enters it the power to create worlds—or destroy them. Only Haplo knows its location—but he doesn't know he knows it. Now an ex-lover has been sent to betray Haplo and bring back his corpse. Meanwhile, the assassin Hugh the Hand is also after Haplo, wielding the Accursed Blade. With his old companion Alfred, Haplo must seek sanctuary in the Labyrinth—a deadly prison maze whose inhabitants are condemned to death. Millennia ago a battle raged between the Sartan and the Patryn, and the Sartan sundered the world into four realms—air, fire, stone, and water—and then vanished. But now the two races have rediscovered each other through the magic of the Death Gate—and war is about to erupt anew.