Waking up dead was never this much fun.I'm a big guy, especially where it counts. Lately, though, seems like a lot of people in this college town are looking right through me. I've got to nudge a guy pretty hard to get his attention. And now my place is getting a reputation as a so-called haunted house.Some of the frat guys say I'm a ghost. Not sure I'm ready to hang that label on myself, but... *shrug*Anyway, we've dreamed up a wild plan to haze this year's crop of incoming freshmen. Let them spend a night in my big gay haunted house. When I say, "Boo," one wild party is going to fire up. And it's guaranteed to turn all those straight frat boys completely gay.All characters are open-minded consenting adults, and all readers should be too. This ghost doesn't fade to black when the action heats up.

Waking up dead was never this much frisky gay fun. This high-steam box set includes all three novellas in the My Big Gay Haunted House trilogy, The Gay Haunting of a Straight Frat, The Gay Haunting of the Dean of Students, and The Gay Haunting of College Town. Once, Dylan was a happy-go-lucky college kid who was all about the party. Now he's a ghost trapped in a haunted frat house. And who can haze a bunch of straight college boys better than a fun-loving gay ghost? #1. The Gay Haunting of a Straight Frat―Dylan's killer will have to pay. But he can't do it alone. The frat brothers say they'll help him... if he helps them first. They have a big batch of straight freshmen who need hazing. Naturally, Dylan is eager to assist. #2. The Gay Haunting of the Dean of Students― Revenge is a dish best served smokin' hot. Dylan's killer has been drawn to the haunted house, and now he's going to pay a high price in pain and shame for his crime. He must know he needs redemption, because somehow the troubled silver fox keeps coming back for more. #3. The Gay Haunting of College Town― Burn down his haunted house, and the ghost will go buck-wild. A college town can't let a ghost rest in peace. When Dylan awakes to find his home destroyed and a new gay ghost by his side, the two of them are determined to exact their revenge on a new and even more vicious killer. They won't be distracted. No matter how many hot men they meet along the way. This 202-page straight-to-gay high-steam trilogy blows out the walls of this haunted frat house. Intended for open-minded readers who enjoy uninhibited male/male encounters. Keywords: Bro Biggly, Bro Biggly Presents, Bronson Biggs, gay erotica, ghost erotica romance, gay haunted house, gay frat, gay fraternity, mm frat, mmmm+ frat, gay party frats, paranormal gay erotica, gay steamy, high steam, hot, gay erotic romance, erotic romance, ghost box set, gay paranormal box set, gay novella, gay novellas, trilogy, complete gay trilogy, college, college age, new adult, American, American men, American gay men, questioning, straight to gay, first time gay, coming out, gay suspense, gay ebook, gay romance ebook, group, group encounter, adult club, gay club, gay members, back room, polyamory, non-traditional gay relationships, non-monogamous gay relationship, open relationships, sharing, gay sharing.

The author, drawing on his years of experience as a gay psychotherapist and advice columnist (AskAngelo.com), offers practical and thoughtful relationship strategies, as well as insight into such issues as coming out, dating, avoiding players, and maintaining a satisfying sex life. Original.

Possibility, love, vigilance, even fear can be captured in a whisper. But what if it's the only clue to solve a crime? Detective Rae Butler inherits a series of assaults that seem to have no connection beyond the suspect. But when she encounters Audrey Everhart and her unexplainable insights, Rae is torn between what she knows and how she feels. Mayoral publicist Audrey Everhart is haunted by nightmares and by the cop determined to invade her privacy for answers. Is Audrey's nightmarish vision the answer to Rae's prayer?

A masterful poetic exploration of the impact of Matthew Shepard’s murder on the world. On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was kidnapped from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life. Back matter includes an epilogue, an afterword, explanations of poetic forms, and resources.

This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.

From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.