Murdered artists. Masterful forgeries. Art crime at its worst. As an insurance investigator and world renowned expert in nonverbal communication, Dr Genevieve Lenard faces the daily challenge of living a successful, independent life. Particularly because she has to deal with her high functioning Autism. Nothing - not her studies, her high IQ or her astounding analytical skills - prepared her for the changes about to take place in her life. It started as a favour to help her boss' acerbic friend look into the murder of a young artist, but soon it proves to be far more complex. Forced out of her predictable routines, safe environment and limited social interaction, Genevieve is thrown into exploring the meaning of friendship, expanding her social definitions, and for the first time in her life be part of a team in a race to stop more artists from being murdered. The Gauguin Connection is an art crime novel with an autistic main character who explores the mystery of political intrigue, art heists, white collar crime, kidnapping and so much more! Enjoy this FREE book.

A decades-old crime. A torment not forgiven. Ice-cold revenge. When a prolific international criminal takes one of Doctor Genevieve Lenard’s friends hostage in his own flat, she is hard pushed to believe his motivation. Calling on her expertise as a nonverbal communications specialist, she sees the genuine fear and desperation behind this thief’s blustering demand to help him stop the Collector. For almost a year, the Collector has evaded Genevieve and her team, leaving behind a trail of stolen artworks, burned-down museums and blown-up galleries. And innocent victims. Grudgingly cooperating with this thief and his associates, Genevieve and her team track the Collector to the cobbled alleyways of Lisbon, Portugal, where they have only one chance to stop this merciless killer from exacting revenge that took decades to plan—an action that would have an irreversible political and economic impact on a global scale.

Shortly before Gauguin made his first Tahitian journey in 1891, he spent nearly two years in the remote Breton fishing village of Le Pouldu. Seeking creative isolation in a "primitive" setting, he pursued his art accompanied by several followers. One of them was the Dutch painter Meyer de Haan, who was able to pay the living expenses in Le Pouldu and was also knowledgeable in literary and philosophical matters that fascinated Gauguin. Their association resulted in some of Gauguin's most remarkable works, including the Wadsworth Atheneum's symbolist portrait of de Haan inscribed "Nirvana." This and the rich variety of paintings and sculpture by Gauguin produced in 1889-90 are the focus of this beautiful book. Gauguin and de Haan settled into an inn at Le Pouldu run by an attractive unwed mother named Marie Henry, who began a liaison with de Haan despite the fact that he was a sickly hunchback. The intensity of relations between Gauguin and de Haan is reflected in many of the works, including frescoes, which they installed in the inn. Gauguin's time in Le Pouldu was crucial to the advancement of his art, and the vivid Breton subjects and personality of Meyer de Haan remained in his imagination to reappear even during his later Tahitian period. In this book several distinguished experts draw on previously unavailable sources to examine in depth the history of this period, Gauguin's relationship with de Haan, their interest in religion and exotic cultures, and the meaning of the many innovative symbolist works they produced.

An original account of the tortuous and revealing relationship between two seminal figures of modern painting, Vincent van Gogh and Paul Gauguin.

A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.

This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.

Twenty-two-year-old Karla is thrilled to be hired as an entertainer on the Sound of Music cruise ship—where the rum punch is 80 percent Kool-Aid, the ice sculp- tures are plastic, and her "fake it till you make it" M.O. seems adventuresome. Karla is less thrilled when her new boyfriend, Jack, suggests that they form a singing duo on land, but by now faking enthusiasm has become a way of life. She and Jack buy backing tracks, crib lyrics from the radio, and embark on a not-as-glamorous-as-it-should-be career performing in the luxury hotel bars of the Middle East and China. But after a thousand and one nights on the road, Karla and Jack find themselves struggling to keep their act—both personal and professional—together. Funny, fast-paced, and incisive, A Thousand and One Nights captures the performances, large and small, we use to make it through life.