An extraordinary debut novel of love that survives the fires of hell and transcends the boundaries of time. On a burn ward, a man lies between living and dying, so disfigured that no one from his past life would even recognize him. His only comfort comes from imagining various inventive ways to end his misery. Then a woman named Marianne Engel walks into his hospital room, a wild-haired, schizophrenic sculptress on the lam from the psych ward upstairs, who insists that she knows him – that she has known him, in fact, for seven hundred years. She remembers vividly when they met, in another hospital ward at a convent in medieval Germany, when she was a nun and he was a wounded mercenary left to die. If he has forgotten this, he is not to worry: she will prove it to him. And so Marianne Engel begins to tell him their story, carving away his disbelief and slowly drawing him into the orbit and power of a word he'd never uttered: love.

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.

Fans of Jonathan Auxier's The Night Gardener and Neil Gaiman's The Graveyard Book will tremble with delight for this haunting tale about a lonely gargoyle who isn't alone at all. Penhallow is the last of his kind. The stone gargoyle--he'd prefer you call him a grotesque--fearlessly protects his Boston building from the spirits who haunt the night. But even he is outmatched when Hetty, his newest ward, nearly falls victim to the Boneless King, the ruler of the underworld. Then there's Viola, the mysterious girl who keeps turning up at the most unlikely times. In a world where nightmares come to life, Viola could be just the ally Penhallow needs. But can he trust her when every shadow hides another secret? Can he afford not to?

Gargoyles that grin and leer down from roofs and towers of medieval churches have stood for centuries warding off evil. They reached their flowering in the Middle Ages yet their story goes far beyond that time to the very beginnings of art, when man created demons to scare away demons. This book depicts the many fearsome faces of these monstrosities throughout history.

Seeking a spell that will restore the polluted river Swan Knee to a state of purity, guardian Gary Gargoyle finds himself face-to-face with the Good Magician Humphrey.

A boy befriends a baby gargoyle in this magical wordless story in graphic-novel style from award-winning creators Jo Ellen Bogart and Maja Kastelic. Anthony’s house is full of family photos — of his parents’ trip to Paris, his great aunt, and Anthony himself as a toddler, holding his favorite rock. When Anthony wakes up one morning, he sees that his “rock” has cracked open — it’s hollow inside. He doesn’t see the little face peering out from the closet. Later, he discovers the newly hatched creature and they become friends. Anthony asks his mother about the rock, and she shows him a photo album of a trip to Paris. Anthony sees that his friend resembles the gargoyles at Notre-Dame cathedral. Back in his room, he shows the photos to the baby gargoyle who looks at them with longing. News arrives that Anthony’s great aunt is in hospital. The family travel to Paris to visit, and Anthony secretly brings the baby gargoyle. When the family have a chance to climb Notre-Dame’s tower, Anthony and his friend wander from one gargoyle to the next ... until the baby gargoyle sees one that looks just like him. A bittersweet story of true friendship and letting go. Key Text Features comic comic strips Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.