Gathered together here for the first time are seven plays that span Havel's career from his early days at the Theater of the Balustrade through the Prague Spring, Charter 77, and the repeated imprisonments that made Havel's name into a rallying cry and propelled him to the leadership of his country. They include The Garden Party, The Increased Difficulty of Concentration, Mistake, the Vanek trilogy of Audience, Unveiling, and Protest, and the first fully corrected English version of The Memorandum--the play that won Havel the Obie for Best Foreign Play in 1968.

By his own reckoning, John Kneubuhl was "the world's greatest Swiss/Welsh/Samoan playwright." The son of a Samoan mother and an American father, Kneubuhl's multicultural heritage produced a distinctive artistic vision that formed the basis of his most powerful dramatic work. Born and raised in Samoa, Kneubuhl attended school in Honolulu and studied under Thornton Wilder at Yale. Returning to Hawai'i in the mid-1940s, Kneubuhl won acclaim as a playwright with the Honolulu Community Theater, then moved on to Los Angeles to write for television. Twenty years later he was back in Samoa, lecturing on Polynesian history and culture and writing plays, including the trilogy offered here. Unlike much of Kneubuhl's earlier work, these plays are touchingly personal in their exploration of alienation and cultural identity. Think of a Garden, the first play of the trilogy and the last written before the playwright's death in 1992, has been called the most Samoan of Kneubuhl's plays--a candid look at the writer's bicultural upbringing that artfully weaves together family memory, history, and mysticism. Think of a Garden makes the work of one of the Pacific's preeminent playwrights available for the first time to a wide audience of theatre enthusiasts, literature specialists, and others interested in Pacific themes.

More than any other public figure, VOclav Havel has reflected on the opportunities and dilemmas facing humankind as a result of the collapse of Communism. In VOclav Havel: Civic Responsibility in the Postmodern Age, James F. Pontuso argues that Havel's life as a dissident and political leader, his political philosophy, and his plays must be understood as connected to one another. Pontuso skillfully explores these connections and explains Havel's prescriptions for political life.

Political Action in Vaclav Havel's Thought: The Responsibility of Resistance, by Delia Popescu, examines resistance to oppression and individual responsibility in political action, all in the context of Vaclav Havel's political philosophy. The famous anti-communist dissident, acclaimed playwright, former President of the Czech Republic, and eminent political thinker argues that there is a certain tendency in modern humanity towards the creation, or at least toleration, of a political system that is invasive and controlling. Not unlike Tocqueville and Arendt, Havel claims that modern liberal democracy contains potential tendencies toward a new form of despotism that capitalizes on modern alienation and social atomization. Political Action in Vaclav Havel's Thought suggests that Havel's theory of individual opposition can be used to secure political freedom under the conditions of modernity. Popescu demonstrates that Havel's idea of attaining true political participation and freedom requires a strong connection between an individually constructed ethics and the realm of politics. On this basis she reveals that a thick notion of morality can be usefully integrated into an account of both private and public accountability. Vaclav Havel's essays, plays, speeches, and letters can therefore be integrated into a coherent political theory which contributes significantly to some of the central debates in modern political thought. Delia Popescu concludes that Havel's theory of individual opposition to totalitarianism may also serve as the foundation for a conception of responsible participation in modern liberal democracies.

The book considers Václav Havel’s body of writing as a cohesive whole offering a consistent political philosophy. This bold claim is backed up through a close examination of Havel’s plays, letters, essays and aphorisms. The political philosophy that a close reading of Havel reveals is a liberal one. However, Havel is not the run-of the-mill liberal having influences from the field of phenomenology, Masaryk, Husserl, Levinas Patočka and Heidegger which give him a nuanced view of the self. Havel sees the self as something always being formed. Hence for Havel man has an ability to ‘shake’ his current state and invite transcendence into his life. This agonistic process reveals our responsibility and liberates the self from forces which coerce behaviour.