Part of the trilogy of memoirs that inspired the television show The Durrells in Corfu: A naturalist’s adventures with animals—and humans—on a Greek island. When his family moved to a Greek island, young naturalist Gerald Durrell was able to indulge his passion for wildlife of all sorts as he discovered the new world around him—and the creatures and people who inhabited it. Indeed, Durrell’s years growing up on Corfu would inspire the rest of his life. In addition to his tales of wild animals, Durrell recounts stories about his even wilder family—including his widowed mother, Louisa, and elder siblings Lawrence, Leslie, and Margo—with undeniable wit and humor. The final chapter in Durrell’s reflections on his family’s time in Greece before the start of World War II, The Garden of the Gods is a fascinating look at the childhood of a naturalist who was ahead of his time. This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.

There’s a strong biblical connection between people and trees. They both come from dirt. They’re both told to bear fruit. In fact, arboreal language is so often applied to humans that it’s easy to miss, whether we're talking about family trees, passing along our seed, cutting someone off like a branch, being rooted to a place, or bearing the fruit of the Spirit. It’s hard to deny that trees mean something, theologically speaking. This book is in many ways a memoir, but it’s also an attempt to wake up the reader to the glory of God shining through his creation. One of the first commands to Adam and Eve was to “work and keep” the garden. Award-winning author and songwriter Andrew Peterson, being as honest as possible, shares a story of childhood, grief, redemption, and peace, by walking through a forest of memories: “I trust that by telling my story, you’ll encounter yours. Hopefully, like me, you’ll see that the God of the Garden is and has always been present, working and keeping what he loves.” Sometimes he plants, sometimes he prunes, but in his goodness he intends to reap a harvest of righteousness.

"Gardens of the Gods" reveals the symbolic language of garden design, exploring the gardens of China, with their moon gates and immortal rocks, the Zen gardens of Japan, the paradise gardens of Islam, those of Renaissance Italy with their richly mythological imagery, the landscaped parks of England, the gardens of New Harmony in the US and some striking, modern examples of symbolic gardens, including the Tarot Garden of the sculptress Niki de Saint Phalle in Italy. This illustrated book also includes a chapter with suggestions for creating a "garden of meaning" and a selected catalogue of plants with symbolic or mythological associations. Based on ten years of research, travel and curiostiy, this text is also the result of a personal quest - to reveal the mystical codes written in the astonishing worlds of gardens worldwide.

The Garden of God is a sequel to novel The Blue Lagoon and it picks up precisely where it left off, with Arthur Lestrange in the ship Raratonga discovering his son Dicky and niece Emmeline with their own child, lying in their fishing boat which has drifted out to sea. It turns out that Dicky and Emmeline died and the child is drowsy but alive and is picked up by the sailors. Arthur has a dream-vision of the pair; they ask him to come to Palm Tree, the island where they lived, and promise he will see them again. Arthur takes the child, which gets the nickname Dick M, and takes his ship to Palm Tree, where he plans to stay with Dick M and Kearney, a volunteer from the crew who grows fond of Dick. The rest of the crew leave with a promise to return the next year, but they get swallowed up in a storm out at sea, and the trio stays stuck on the island.

Examining the evolution of kingship in the Ancient Near East from the time of the Sumerians to the rise of the Seleucids in Babylon, this book argues that the Sumerian emphasis on the divine favour that the fertility goddess and the Sun god bestowed upon the king should be understood metaphorically from the start and that these metaphors survived in later historical periods, through popular literature including the Epic of Gilgameš and the Enuma Eliš. The author’s research shows that from the earliest times Near Eastern kings and their scribes adapted these metaphors to promote royal legitimacy in accordance with legendary exempla that highlighted the role of the king as the establisher of order and civilization. As another Gilgameš and, later, as a pious servant of Marduk, the king renewed divine favour for his subjects, enabling them to share the 'Garden of the Gods'. Seleucus and Antiochus found these cultural ideas, as they had evolved in the first millennium BCE, extremely useful in their efforts to establish their dynasty at Babylon. Far from playing down cultural differences, the book considers the ideological agendas of ancient Near Eastern empires as having been shaped mainly by class — rather than race-minded elites.

The Garden of God is a sequel to novel The Blue Lagoon and it picks up precisely where it left off, with Arthur Lestrange in the ship Raratonga discovering his son Dicky and niece Emmeline with their own child, lying in their fishing boat which has drifted out to sea. It turns out that Dicky and Emmeline died and the child is drowsy but alive and is picked up by the sailors. Arthur has a dream-vision of the pair; they ask him to come to Palm Tree, the island where they lived, and promise he will see them again. Arthur takes the child, which gets the nickname Dick M, and takes his ship to Palm Tree, where he plans to stay with Dick M and Kearney, a volunteer from the crew who grows fond of Dick. The rest of the crew leave with a promise to return the next year, but they get swallowed up in a storm out at sea, and the trio stays stuck on the island

SCULPTURE GARDEN OF THE GODS, a book of black and white photographs, and prose, is the fruit of writer and photographer Thomas K. Shor's three winters upon this mountain--often blown by hurricane-force winds and engulfed in thick fog. Shor weaves the poetic force of his eye with that of his pen to take us on a journey to this otherworldly landscape, where lashing winds sculpt solid granite into forms that look like living beings with an uncanny regularity. It is a place of mystery and beauty, where the most enduring is dissolved by the most fleeting, where wisps of fog blown by a gale can cause an entire mountainside to disappear in an instant. It is a landscape that elicits a deep sense of wonder. Not only do great expanses of space open out on this mountain, but time opens out as well: Fresh cracks occur and are rounded by the years. Rocks balance for centuries before succumbing to a fissure. Stories are told in stone that are thousands of years old, forming a continuity from geologic times to our own. The rock formations are so strange and improbable--in seeming defiance of the logic that shapes landscapes--that one cannot help but wish one could go there with a geologist who could explain how it could have been left that way by nature, how such forms occur, how one huge granite boulder could have been left balancing so delicately upon another. Yet to have the eye of a geologist, to 'understand' the ravages of time that quite certainly led to this hauntingly beautiful and otherworldly landscape, would threaten the mystery of the place. SCULPTURE GARDEN OF THE GODS, with its 190 black-and-white photographs, takes us on a journey to this mythic yet very real landscape which gave birth to Dionysus, where the animating wind has been sculpting matter for untold millennia, giving breath to stone and bringing it to life.