The Garden of Reality contemplates the relativity of religious truth, religious pluralism, transreligious discourse, postmodern cosmology, and multireligious mysticism. Its transreligious approach aims at a future multireligious, peaceful society in an ecological and cosmic context. It proposes that the future of humanity is bound to conviviality with itself and the Earth, that the deepest religious motivations of existing together are relative to one another, and that transreligious relativity is essential to the conviction of religions that their motivations, experiences, and conceptualities are meaningful, real, and true. By engaging diverse voices from poststructuralism to Sufism, Dzogchen, and philosophical Daoism, from conceptual frameworks of Christianity and Hinduism to mystical and postmodern cosmology, current cosmopolitanism, and interreligious and interspiritual discourses, but especially understudied contributions of process thought and the Bahá'í religion, this book suggests that multireligious conviviality must listen to the universal relevance of a multiplicity of minority voices. Its polyphilic pluralism affirms the mutual immanence and co-creative nature of religions and spiritualities with the universal in-sistence of divine or ultimate reality in the cosmos. Embracing a relativistic and evolutionary paradigm in an infinite cosmos of creative becoming, religions must cope with events of novelty that disturb and connect, transcend and contrast, the continuum of their truth claims, but must avoid conflict, as religious diversity is enveloped by an ever-folding landscape of ultimate reality.

Evangelicals are no strangers to the creation versus evolution debate. Now the argument has spread beyond the contents of the creation account and into Genesis 2–3, with speculation about the historicity of Adam, and the fall. But does it matter which position one holds? Is anything really at stake? The faculty of The Master's College come together to contend that the second and third chapters of Genesis are indeed historical, that there are excellent reasons for believing so, and that it is an essential issue within Christian thought and life. The contents of these chapters establish the history of how everything in the world came to be what it is today. This Scripture passage—-Genesis 3 especially—-explains what we observe in the legal system, literature, gender roles, education, psychology, and science. Far from irrelevant, the theology and historicity of Genesis are in fact critical to our everyday lives. What Happened in the Garden? includes new scientific, literary, business, educational, and legal perspectives on creation. Through this multidisciplinary look at the debate, the contributors prove that to change our understanding of the fall is to change the way we understand reality, to revise the Christian worldview, and to reshape the faith itself.

Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.

Why do we exist? For centuries, this question was the sole province of religion and philosophy. But now science is ready to take a seat at the table. According to the prevailing scientific paradigm, the universe tends toward randomness; it functions according to laws without purpose, and the emergence of life is an accident devoid of meaning. But this bleak interpretation of nature is currently being challenged by cutting-edge findings at the intersection of physics, biology, neuroscience, and information theory—generally referred to as “complexity science.” Thanks to a new understanding of evolution, as well as recent advances in our understanding of the phenomenon known as emergence, a new cosmic narrative is taking shape: Nature’s simplest “parts” come together to form ever-greater “wholes” in a process that has no end in sight. In The Romance of Reality, cognitive neuroscientist Bobby Azarian explains the science behind this new view of reality and explores what it means for all of us. In engaging, accessible prose, Azarian outlines the fundamental misunderstanding of thermodynamics at the heart of the old assumptions about the universe’s evolution, and shows us the evidence that suggests that the universe is a “self-organizing” system, one that is moving toward increasing complexity and awareness. Cosmologist and science communicator Carl Sagan once said of humanity that “we are a way for the cosmos to know itself.” The Romance of Reality shows that this poetic statement in fact rests on a scientific foundation and gives us a new way to know the cosmos, along with a riveting vision of life that imbues existence with meaning—nothing supernatural required.

How does science work? Does it tell us what the world is “really” like? What makes it different from other ways of understanding the universe? In Theory and Reality, Peter Godfrey-Smith addresses these questions by taking the reader on a grand tour of more than a hundred years of debate about science. The result is a completely accessible introduction to the main themes of the philosophy of science. Examples and asides engage the beginning student, a glossary of terms explains key concepts, and suggestions for further reading are included at the end of each chapter. Like no other text in this field, Theory and Reality combines a survey of recent history of the philosophy of science with current key debates that any beginning scholar or critical reader can follow. The second edition is thoroughly updated and expanded by the author with a new chapter on truth, simplicity, and models in science.

In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today’s most exciting developments in art, math, physics, and computer visualization.