A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

Vienna, 1911. Greta Goldbaum has always hungered after what's forbidden: secret university lectures, unseemly trumpet lessons, and most of all, the freedom to choose her life's path. United across Europe by unsurpassed wealth and power, Goldbaum men are bankers, while Goldbaum women marry Goldbaum men to produce Goldbaum children. Greta moves to England to wed Albert, a distant cousin. The marriage is not a success, but when Albert's mother gives Greta a garden, she falls in love with her garden, then with England, and finally with her husband. But when World War I begins, her family is splintered: Albert is at the front lines for the Allies; Greta's brother Otto is fighting for the Central Powers. -- adapted from publisher info.

This illuminating study explores a central but neglected aspect of modern Jewish history: the problem of abandoned Jewish wives, or agunes ("chained wives")—women who under Jewish law could not obtain a divorce—and of the men who deserted them. Looking at seventeenth- and eighteenth-century Germany and then late nineteenth-century eastern Europe and twentieth-century United States, Enforced Marginality explores representations of abandoned wives while tracing the demographic movements of Jews in the West. Bluma Goldstein analyzes a range of texts (in Old Yiddish, German, Yiddish, and English) at the intersection of disciplines (history, literature, sociology, and gender studies) to describe the dynamics of power between men and women within traditional communities and to elucidate the full spectrum of experiences abandoned women faced.

From the New York Times bestselling author of The House at Tyneford comes a captivating 1940s English country novel of a love triangle, family obligations, and rediscovering joy in the face of grief—perfect for fans of Kate Morton and Downton Abbey. New Year’s Eve, Dorset, England, 1946. Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne—for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from World War II determined to save their once grand home from ruin. But the arrival of beautiful Jewish wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal. Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson—a music prodigy—propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?

FROM THE INTERNATIONAL BESTSELLING AUTHOR 'A beautifully written, literary tour-de-force' John Ironmonger, author of Not Forgetting the Whale 'A wonderfully written story of art, but also of obsession, friendship and love - I absolutely adored this novel' Jillian Cantor The Mona Lisa has hung in the Louvre for over two-hundred years. She has watched alone in silence as millions of people have admired her behind the glass. Now, she is finally ready to tell her own story. Over five centuries, from da Vinci's bustling Florentine studio to the opulent French court, Mona will be desired, stolen, heartbroken, curious, furious, and above all, she will be heard. 'Solomons' prose is lyrical and her detail immense. No longer can I look at the Mona Lisa without hearing her. But more, now I know her' PRESS ASSOCIATION

A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

Recounts the author's journey through heartbreak and healing after tragically losing her husband during the September 11 attacks, describing her efforts as a single mother, her changing relationships, and her unexpected subsequent marriage.