Darwin meets Hitchcock in this true-crime tale of paradise found and lost. A extraordinary portrait of a 1930s murder mystery as strange and alluring as the famous archipelago itself. Fleeing conventional society, a Berlin doctor and his mistress start a new life on uninhabited Floreana Island. But after the international press sensationalizes the exploits of the island's 'Adam and Eve,' others flock there, including a self-styled Swiss Family Robinson.

The remarkable first-hand account of Margret Wittmer, who settled the island of Floreana in the Galapagos-600 miles from the mainland of Ecuador. It took Wittmer and her family weeks to travel to the island in 1932; they battled with the ties for three full days before they could land. Wittmer and her husband left their home and family in Germany, seeking a new life in a place not yet touched by civilization. Their first home was a cave, previously abandoned by pirates. They planted their first garden, only to find it torn up continually by wild boars. Five months pregnant when she arrived, Wittmer found the beauty of the tropical island constantly tempered by the traumas of attempting everyday life in a wild and lonely spot. From the mysterious disappearance of a stranger linked to another recluse on the island, to a missed opportunity to meet President Franklin D. Roosevelt. The 56 years recalled in this memoir are full of exotic adventures and the joys and tragedies of a lifetime.

In 1835, Charles Darwin observed variations among the Galapagos Islands' species that inspired him to formulate the theory of natural selection. Eighty-eight years later, in 1923, a scientific expedition sponsored by the New York Zoological Society followed in Darwin's wake. Led by the author, a biologist and explorer, the scientists visited the the islands to study and obtain specimens of indigenous plants and animals. This is his personal account of that expedition. He recounts the expedition's productive results, including specimens of 60 species previously unknown to science, and an unparalleled accumulation of data that stimulated many scientific papers and new avenues of naturalistic inquiry.

“Intellectually stimulating and viscerally exciting, The Darwin Affair is breathtaking from start to stop.” —The Wall Street Journal Get ready for one of the most inventive and entertaining novels of 2019—an edge-of-your-seat Victorian-era thriller, where the controversial publication On the Origin of Species sets off a string of unspeakable crimes. London, June 1860: When an assassination attempt is made on Queen Victoria, and a petty thief is gruesomely murdered moments later—and only a block away—Chief Detective Inspector Charles Field quickly surmises that these crimes are connected to an even more sinister plot. Was Victoria really the assassin’s target? Are those closest to the Crown hiding something? And who is the shadowy figure witnesses describe as having lifeless, coal-black eyes? Soon, Field’s investigation exposes a shocking conspiracy in which the publication of Charles Darwin’s controversial On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a madman named the Chorister. As the investigation takes Field from the dangerous alleyways of London to the hallowed halls of Oxford, the list of possible conspirators grows, and the body count escalates. And as he edges closer to the Chorister, he uncovers dark secrets that were meant to remain forever hidden. Tim Mason has created a rousing page-turner that both Charles Dickens and Sir Arthur Conan Doyle would relish and envy.

The helmet-shaped mapiko masks of Mozamxadbique have garnered admiration from African art scholars and collectors alike, due to their striking aesthetics and their grotesque allure. This book restores to mapiko its historic and artistic context, charting in detail the transformations of this masquerading tradition throughout the twentieth century. Based on field research spanning seven years, this study shows how mapiko has undergone continuous reinvention by visionary individuals, has diversified into genres with broad generational appeal, and has enacted historical events and political engagements. This dense history of creativity and change has been sustained by a culture of competition deeply ingrained within the logic of ritual itself. The desire to outshine rivals on the dance ground drives performers to search for the new, the astonishing, and the topical. It is this spirit of rivalry and one-upmanship that keeps mapiko attuned to the times that it traverses. In Step with the Times is illustrated with vibrant photographs of mapiko masks and performances. It marks the most radical attempt to date to historicize an African performative tradition.