An investigation into the damage wrought by the colossal clothing industry--and the grassroots, high-tech, international movement fighting to reform it from a bestselling journalist who has traveled the globe to discover the visionary designers and companies who are propelling the industry toward that more positive future.ture.

A garment that responds to emotions, lace patterns that grow from a plant, textile that decomposes itself and fashion that literally zips people together ... With a critical look at today's fashion industry, more than fifty young designers and a number of illustrious innovators such as Viktor & Rolf and Comme des Garçons give us their vision of the fashion of tomorrow. The development of new technologies and a grasp of the importance of sustainability are what is driving young designers worldwide and causing them to expand the borders of the traditional fashion system. With their innovative solutions and fresh designs, this latest generation of fashion designers has arrived at the interface between fashion and art. At the invitation of Han Nefkens Fashion on the Edge, and scouted by fashion experts from around the world, six designers have each produced a new work especially for the exhibition 'The future of fashion is now': Iris van Herpen (the Netherlands), Digest Design Workshop (China), Lucía Cuba (Peru), Craig Green (Great Britain), D & K (Australia) and Olek (Poland/the United States). This book not only provides an overview of the work by the more than fifty designers being shown at the exhibition, but it also traces the development of and ideas behind the exhibition's special works. Exhibition: Museum Boijmans van Beuningen, Rotterdam, The Netherlands (11.10.2014-18.01.2015).

The fusion between fashion, technology and design is more dynamic than ever before and this collaboration has generated original materials and alternative fabrics. Featuring the work of innovative designers, FUTURE FASHION is essential for all those who want to stay on top of the emerging directions in fashion technology and devolpements in textiles and materials.

At heart, this book aims to inspire fearless innovators committed to spearheading the future of fashion. It is for all of us looking to make a positive impact in an industry that we love and care about. It is increasingly acknowledged that the practice of design is not exclusive to designers, nor is it found only in studios. The materials, garments, services, shows, supply chains and stores that make up the fashion industry all work the way they do because of innumerable design decisions, made by creatives all over the world. Circular design goes far beyond rethinking single products or services, it has the potential to redefine how the entire fashion system operates. It's a chance for anyone in the fashion industry - regardless of job title - to support the shift to a circular economy where, by design, waste and pollution are eliminated, products and materials are circulated, and nature is regenerated. Circular design is a pioneering practice of design. It is the creative opportunity of the coming decade for the creatives, innovators, and pioneers who seek to reshape the fashion industry.

The book explains in detail and with many examples the concept of responsible innovation by answering the following questions: How will the fashion industry be in 2030? What can the different stakeholders do in order to speed the responsible innovation? Which will be the role of traceability, circularity, cradle-to-cradle, collaborative consumption, B-corporations? How technologies can catalyze the change? How the consumers interested in sustainability can contribute to this change?

In an era marked by sudden and profound change, the fashion world has also experienced significant transformations. Its boundaries, its rationale and its protagonists have all been redefined, with these changes continuing now and in the future. The purpose of this book is to analyze this market with particular focus on the segment defined as "high-end" and to provide entrepreneurs, professionals, workers in the sector, consultants, and business/fashion students, a context to understand better the latest and most up-to-date ideas and how to govern their growth. The starting point for the book's discussion begins with the title of the book, which emphasizes two important characteristics regarding its context: the increasingly blurred distinction between offline and online - hence the term "onlife" - and the absence of rules, given the obvious out-of-date nature of those on which fashion companies have based their business strategies in recent decades. This has led the authors to propose a handbook of new rules, suitable for a world that increasingly appears to be lacking them.