"A crazy, rollicking whoop of a book, written with a poet's sensibility and deeply wacky down-home wisdom."—Lee Smith, author of The Last Girls A century after the impulsive McKinnon brothers set out to tame the Canadian wilderness and instead landed in Mattagash, Maine, their madcap legacy reigns supreme. It's 1959, and Pearl and Sicily McKinnon have gathered to plan a funeral for Marge, their older sister dying from the rare disease beriberi, thanks to her eccentric diet. Pearl, who skipped town with big-city dreams only to marry a funeral director, soon clashes with the long-suffering Sicily, who herself is coping with an unfaithful husband. To make matters worse, Sicily's teenage daughter is lusting after the town's blackest sheep, a ne'er-do-well twice her age. Brimming with darkly quirky humor and irresistible spunk, The Funeral Makers explores the inescapable ironies of American life and family dynamics and captures the spirit of a world that is as once familiar and quickly fading from view.

"A crazy, rollicking whoop of a book, written with a poet's sensibility and deeply wacky down-home wisdom."-Lee Smith, author of The Last Girls A century after the impulsive McKinnon brothers set out to tame the Canadian wilderness and instead landed in Mattagash, Maine, their madcap legacy reigns supreme. It's 1959, and Pearl and Sicily McKinnon have gathered to plan a funeral for Marge, their older sister dying from the rare disease beriberi, thanks to her eccentric diet. Pearl, who skipped town with big-city dreams only to marry a funeral director, soon clashes with the long-suffering Sicily, who herself is coping with an unfaithful husband. To make matters worse, Sicily's teenage daughter is lusting after the town's blackest sheep, a ne'er-do-well twice her age. Brimming with darkly quirky humor and irresistible spunk, The Funeral Makers explores the inescapable ironies of American life and family dynamics and captures the spirit of a world that is as once familiar and quickly fading from view.

"Cathie Pelletier is one of my favorite novelists, and she's at the top of her game with The One-Way Bridge."—Wally Lamb, author of She's Come Undone In her highly anticipated new novel, acclaimed literary master Cathie Pelletier returns to Mattagash, Maine, the beloved New England town where it all started. Welcome to Mattagash, the last town in the middle of the northern Maine wilderness. The road dead-ends here, but Mattagash's citizens are fiercely proud. Yet this simple town connected by a single one-way bridge is anything but tranquil. While neighbors bicker publicly over trivialities such as offensive mailbox designs and gossip about suspicious newcomers, they privately struggle to navigate deeper issues—scandals, loss, failed ambitions, the scars of war...and a mysterious dead body in the woods. With her trademark wit and keen eye for detail, Pelletier has assembled an unforgettable cast of endearing and eccentric characters, from scheming mailmen and peeping toms to lovesick waitresses and loggers whose underhandedness belies their ingenuity. The citizens of Mattagash will make you laugh and cheer for them as they stumble into one another's lives and strive to define themselves in a changing world that threatens to leave them behind. The One-Way Bridge is an extraordinary portrait of family, loneliness, and community—and the kinds of compromises we all make in the name of love. Praise for The One-Way Bridge: "The One-Way Bridge is the novel Cathie Pelletier fans have long awaited. Her Mattagash, Maine, is one of the most fully realized fictional locales I've ever visited, it's geography as vivid and precise as any actual place, its citizens as real and compelling as our own friends and neighbors."—Richard Russo, author of Empire Falls "In her new book, Cathie Pelletier's brilliantly drawn, true-to-life characters break your heart and make you laugh at the same time, a rare talent indeed."—Fannie Flagg, author of Fried Green Tomatoes at the Whistle Stop Café

1925- include Report of the international officers and the Executive Council to the consolidated convention and the Proceedings of the consolidated convention.

Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.