Harry Driscoll is living in New York City (if you call trying to survive on an editorial assistant's salary "living"). His family is wealthy (but Harry Driscoll is not). His education is Ivy League (but what good is it doing him?). His publishing job is entry level (with no exit in sight). BUT... Harry Driscoll has a dream (if you call an unfinished manuscript hidden in the closet a "dream"). Harry Driscoll has a girl (although intercourse is out of the question). Harry Driscoll even has feelings. (He asked this girl, one day in the park, to be in his life forever--and meant it!) And the other girls? They're not the problem. (The problem is, Harry Driscoll cannot allow himself to say the word "love.")

In Kenya, Africa, an old frog named Mahday awakens the god Mmumi to ask for a king who will help the frogs to get along better with other creatures, but Mmumi does not like to be awakened and sends an unpleasant answer to her request. Includes notes.

Rare edition with unique illustrations. When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers. "The Frog Prince; or, Iron Henry" is a fairy tale, best known through the Brothers Grimm's written version.In the tale, a spoiled princess reluctantly befriends the Frog Prince (meeting him after dropping a gold ball into a pond), who magically transforms into a handsome prince. Although in modern versions the transformation is invariably triggered by the princess kissing the frog, in the original Grimm version of the story the frog's spell was broken when the princess threw it against a wall in disgust.

Longlisted for the Prix Sade 2021 Longlisted for the Joyce Carol Oates Prize Longlisted for the Gordon Burn Prize A New York Times Notable Book of 2020 A New York Times Critics Top Ten Book of the Year Named a Best Book of the Year by over 30 Publications, including The New Yorker, TIME, The Washington Post, Entertainment Weekly, NPR, and the BBC In the highly anticipated follow-up to his beloved debut, What Belongs to You, Garth Greenwell deepens his exploration of foreignness, obligation, and desire Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song. In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves. Cleanness revisits and expands the world of Garth Greenwell’s beloved debut, What Belongs to You, declared “an instant classic” by The New York Times Book Review. In exacting, elegant prose, he transcribes the strange dialects of desire, cementing his stature as one of our most vital living writers.

When he encounters a swooning princess, a witch and a magician, Reginald the frog is in for some big changes in his life. Suggested level: junior, primary.

For use in schools and libraries only. After the frog turns into a prince, he and the Princess do not live happily ever after and the Prince decides to look for a witch to help him remedy the situation.

Against his better judgment, Jack succumbs to his mother's guilt-laden pleas that he see his estranged father. Should he walk away and leave his crazy family to solve their problems without him? Or should he try to mend fences that have been broken for as long as he can remember?