The Freudian Calling traces the evolution of an early psychoanalytic science of culture by examining how the work of cultural interpretation became essential to the Freudian movement in Vienna in the years before World War I. Louis Rose explores Freud's writings on art, society, and history in light of the discussions and projects of his Viennese circle. Drawing on the history of psychoanalytic cultural science in Vienna, The Freudian Calling reexamines the development of Freud's own thought, from his biography of Leonardo da Vinci and the study of Michelangelo's Moses to the writing of Totem and Taboo and, finally, Civilization and Its Discontents.

Stanley Kubrick's Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb is one of the most celebrated and significant films ever made. This book traces the movie's origins as a thriller novel through its evolution into a devastating black comedy, to its ultimate reception as an undisputed cinema classic. A wealth of fresh detail is provided on Dr. Strangelove's production, its initial reception and its lasting influence. The book also examines the film within the context of the real-life superpower standoff it satirized and evaluates its place alongside director Kubrick's entire catalog of famous works. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history.

What are the consequences of prolonged exposure to the mental andemotional sufferings of others? In what ways can the practice ofpsychotherapy impede a person's ability to form healthy, fulfillingpersonal relationships? Is it true that psychotherapists areunusually prone to mental illness, drug and alcohol abuse, sexualacting out, workaholism, and suicide? Is there something aboutpeople who are drawn to a life in psychotherapy that puts them athigher risk of developing certain behavioral disorders? Now in a candid and revealing look into the private andprofessional lives of psychotherapists, a group of notedpractitioners attempt to answer these and other hard questionsabout the women and men who pursue this most perilous ofcallings. Throughout the pages of this fascinating book, nearly thirtypsychotherapists--including psychologists, psychiatrists,psychoanalysts, and social workers--provide intimate, at timespainfully frank, accounts of their inner experiences and struggles.In a series of compelling first-person narratives, written in avariety of styles, they explore such topics as the therapist'spersonal development and unconscious motivations for becoming atherapist, the emotional impact of clinical work on thepsychotherapist, the stresses and strains that the practice ofpsychotherapy can exert on a marriage, parenting and psychotherapy,disillusionment and the physical and psychic isolation of clinicalwork, the struggles of therapists who suffer from characterologicalproblems of their own, and the extreme perils of dealing withsuicidal patients. They also delve into a number of importantprofessional, ethical, and legal hazards practitioners face in thisage of the medical "quick-fix." A Perilous Calling offers readers unparalleled insight into thepsychotherapist's deepest concerns and conflicts. It reveals theperils of practice and candidly explores how some psychotherapistshave learned to cope with them. In reading this book, professionalswill learn how to take better care of themselves both in theirprofessional and personal lives and will find new ways to transformthose perils into opportunities for growth and mastery. At the sametime, their patients, friends, and loved ones will gain a deeperunderstanding of these complex and uniquely caring individuals.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This collection tells the story of the case study genre at a time when it became the genre par excellence for discussing human sexuality across the humanities and life sciences.It is a transcontinental journey from the imperial world of fin-de-siècle Central Europe to the interwar metropolises of Weimar Germany and to the United States of America in the post-war years. Foregrounding the figures of case study pioneers, and highlighting their often radical engagements with the genre, the book scrutinises the case writing practices of Sigmund Freud and his predecessor sexologist Richard von Krafft-Ebing; writers including Leopold von Sacher-Masoch and Alfred Döblin; Weimar intellectuals such as Erich Wulffen and psychoanalyst Viola Bernard. The results are important new insights into the continuing legacy of such writers and into the agency increasingly claimed by the readerships that emerged with the development of modernity.

What does it mean to pursue a calling? According to Bonnie J. Miller-McLemore, it may mean ambiguity, uncertainty, and even suffering--but that's what makes it worthwhile. Drawing on over thirty years of research and concrete examples from history, fiction, and her own experience, she delves into the inherent complexities around the pursuit of a calling and the lie that meaning in life is as simple as following your bliss. Instead, the path to meaning is rocky and uncertain--and that is exactly what makes it worth following.

Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could suit the bachelor Brahms but leave the composer open to speculation. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in a more modern, fin-de-siècle psychological framework that questioned the composer's physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art, but also within the cultural and gendered discourses overlooked by the absolute music paradigm.