This volume explores the overlooked category of screenwriters in French cinema, from the coming of sound to the digital age. Using key figures as case studies, it considers how the role has evolved industrially and critically, and sheds light on screenwriting practices in the context of debates on word and image, national cinema and authorship.

Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-si?e France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.

Episode 2: Invasive Species After learning that a clone of Christ is being held by ReGen Corp at the Malsum Island Research Facility, the Pope sends in an elite Black Ops team to find the Son of God and Escape From Jesus Island. This special Phantom Variant edition of Episode 2 is available ONLY at your local Phantom Retailer.

With a new introduction by the author. The true, absorbing and sometimes frightening documentary of the world's most successful narcotics investigation, The French Connection is one of the most fascinating crime accounts of our time. When New York City detectives Eddie "Popeye" Egan and his partner Sonny Grosso routinely tail Pasquale "Patsy" Fuca, after observing some wild spending at the Copacabana, they quickly realize that they are on to something really big. Patsy is not only the nephew of a mob boss on the lam but also a key negotiator in an impending delivery of narcotics from abroad. His incongruous connections are with several distinguished Frenchmen, including Jean Jehan, the director of the world's largest heroin network, and Jacques Angelvin, a star of French television. For many suspense-filled months, through opulent Manhattan nightclubs, dark tenements in Brooklyn and the Bronx, tree-lined streets of the genteel Upper East Side, and in Paris, Marseilles, and Palermo, the duel is on -- the prize 112 pounds of pure heroin, worth ninety million on the streets. Over three hundred investigators from local, state, federal, and international agencies are ultimately involved in the hours of weary surveillance, the skilled intuition, the luck -- both good and bad -- and the danger.

Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.