Two volumes in one. In 1897 Bram Stoker wrote a classic horror story that has spawned hundreds of imitators but has never been surpassed. From Anne Rice's Interview with a Vampire to such writers as Stephenie Meyer, the story of the vampire--and the godfather of them all, Dracula--lives on. Compelling, chilling, engrossing, filled with suspense and fear--this is a tale you can't put down. This edition includes an interview with Bram Stoker, as well as a rare and exciting prologue that Stoker wrote that was removed by the original publisher in an effort to shorten the book. Frankenstein, Mary Shelley's prophetic classic, deals with the dangers inherent in the single-minded pursuit of science. It also portrays the injustice of a society that persecutes those who are "different." Could Dr. Frankenstein's creation have become a man rather than a monster? Disturbing, thought-provoking, and moving, Frankenstein is much more than a novel of terror.

Victor Frankenstein is consumed by his desire to discover the secrets of life. After several years of research, Victor feverishly constructs a man out of old body parts and brings him to life. Victor is immediately horrified by his ambitious creation, and flees his apartment in remorse. The newborn monster disappears from Frankenstein's laboratory and enters the world as an outcast, struggling with his own identity. What follows is a gripping tale of murder, injustice, and revenge. When Count Dracula departs Transylvania on a Russian ship, crew members begin to mysteriously disappear. After the ship docks, and more people are attacked, rumours of a monster quickly spread. When Abraham Van Helsing is asked to intervene, Dracula meets his match. On his quest to find Dracula, Van Helsing is forced to hunt newly made vampires, using a cross, garlic, and a wooden steak as weapons. But tracking down Dracula will prove to be harder, and more dangerous that Van Helsing could have ever imagined.

The tale of Frankenstein is told from the not-so-mad scientist's point of view and covers how he regarded his creation as his child, his rustic European village youth, and the lies told by Mary Shelley. Original.

Winner of the Gustave O. Arlt Award in the Humanities, awarded by the Council of Graduate Schools Honorable Mention for the 2019 Sonya Rudikoff Prize, awarded by the Northeast Victorian Studies Association Civilizing War traces the historical transformation of civil war from a civil affair into an uncivil crisis. Civil war is today synonymous with the global refugee crisis, often serving as grounds for liberal-humanitarian intervention and nationalist protectionism. In Civilizing War, Nasser Mufti situates this contemporary conjuncture in the long history of British imperialism, demonstrating how civil war has been and continues to be integral to the politics of empire. Through comparative readings of literature, criticism, historiography, and social analysis, Civilizing War shows how writers and intellectuals of Britain’s Anglophone empire articulated a “poetics of national rupture” that defined the metropolitan nation and its colonial others. Mufti’s tour de force marshals a wealth of examples as diverse as Thomas Carlyle, Benjamin Disraeli, Friedrich Engels, Arthur Conan Doyle, Rudyard Kipling, Joseph Conrad, V. S. Naipaul, Nadine Gordimer, and Michael Ondaatje to examine the variety of forms this poetics takes—metaphors, figures, tropes, puns, and plot—all of which have played a central role in Britain’s civilizing mission and its afterlife. In doing so, Civilizing War shifts the terms of Edward Said’s influential Orientalism to suggest that imperialism was not only organized around the norms of civility but also around narratives of civil war.