Revision of the editor's thesis (Ph. D.)--University of Heidelberg, 1996.

Using a wide variety of original sources, this book examines how and why early Taoists carried out such ascetic practices as fasting, celibacy, sleep deprivation, and wilderness seclusion.

For an educated, general readership and for use in college courses, this text introduces the role of celibacy, or a lack of it, in various religious traditions, and the contributors present the rationale for its observance (or not) within the context of each tradition.

This major new reference work is organised as a Chinese-English encyclopedia, arranged alphabetically according to the pinyin romanisation, with Chinese characters appended. A character index and an English index are included.

Empowered writing explores the inherent powers of Chinese talismans, petitions, registers, and holy scriptures, presenting a systematic study of their exxorcistic and apotropaic properties. Using a vast arsenal of original sources, the book traces the unfolding and transformation of empowered writing from the Warring States period through the Six Dynasties, closely examining the different kinds of writing, their uses, and interpretation as well as relating uniquely Daoist features to imperial and Buddhist usages. The book is pathbreaking in its endeavor and stunning in its depth of analyis.

Over the last decade there has been a marked increase in the study of Daoism especially in Japan, China and the West, with a new generation of scholars broadening our understanding of the religion. Including contributions from the foremost scholars in the field, Daoism in History presents new and important research. These essays honour one of the pioneers of Daoist studies, Emeritus Professor Liu Ts'un-yan. His major essay 'Was Celestial Master Zhang a Historical Figure?' addresses one of the pivotal questions in the entire history of Daoism and is included here as the final essay. In addition, a Chinese character glossary, bibliography and index conclude the book. The first in an exciting new series, this book presents brand new thinking on Daoism - a field now recognized as one of the most vital areas of research in Chinese history and the history of religions.

"Picturing the True Form investigates the long-neglected visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book’s structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism—aniconic, immaterial, and ephemeral—and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart."