When the cast and crew of reality TV show 'SeaLife' land on picturesque, unexplored Henders Island it's a ratings bonanza. But they're blissfully unaware that the decisions they make there will shape the fate of mankind. They quickly discover, however, that the island is seething with danger.

The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.

In the newest high-stakes historical thriller from master storyteller Davis Bunn, skepticism vies with faith amid the grit and grandeur of post-World-War-I Europe. It’s 1923, and a resilient Paris is starting to recover from the ravages of World War I and the Spanish Flu Epidemic. Enter young Muriel Ross, an amateur American photographer tasked with documenting the antiques that her employer, U.S. Senator Tom Bryan, has traveled to France in order to acquire. Although she’s exhilarated to have escaped her parents and the confines of their stifling Virginia home, Muriel has lingering questions about why the senator has chosen her for this grand adventure. Nevertheless, she blossoms in her new surroundings, soaking up Parisian culture and capturing the sights and sounds of Paris on her camera. But events take a dangerous turn when she discovers that the senator is on a mission far more momentous—and potentially deadly—than a mere shopping trip. At the Cathedral of Notre Dame, Senator Bryan asks Muriel to photograph an astonishing artifact: a piece of the True Cross, discovered by Empress Helena—a historical figure familiar to readers of The Pilgrim. When rumors surface that another fragment has been unearthed, Muriel becomes enmeshed in a covert international alliance dedicated to authenticating the fragment—and protecting it from those who will stop at nothing to steal and discredit it.

The first monograph on the "godfather of streetwear," this book pays homage to Hiroshi Fujiwara's influence on contemporary fashion, music, and design. The most comprehensive book devoted to the extensive work of Hiroshi Fujiwara-a pioneer in streetwear, music, and art, and the ultimate arbiter of cool. Known internationally as one of the founding fathers of Tokyo's Harajuku scene, Fujiwara exerts a disproportionate influence over contemporary design culture. Having collaborated with the likes of Malcolm McLaren and Vivienne Westwood as a teenager in the early 1980s, he merged a seminal interest in punk with hip-hop and skate culture to become one of Japan's principal tastemakers. A musician and producer, Fujiwara is also one of the most prolific sneaker designers, and his kicks are some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with Nike, he has authored a number of fashion lines and is at the head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents the breadth of his career, including sections on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects. With contributions by Sarah Lerfel and Ino Hidefumi, this graphically inspired book provides a unique glimpse into one of the most influential tastemakers of our time and is the perfect follow-up to Rizzoli's Pharrell: Places and Spaces I've Been.

This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined a posteriori? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.

From the award-winning, bestselling author of Addition and Nine Days, a superbly crafted and captivating literary mystery about a lost book and a secret love.

A ruthless Russian tycoon lures biologists Nell and Geoffrey to his underground metropolis, where they are confronted by a vicious menagerie of biological horrors that are rising up to consume the world.