__________________________________________________ To protect the past, they must fight for their future. In the thrilling third book in the Tomorrow's Ancestors series a devastating change is on the horizon. 'A stonking good sci-fi & coming-of-age story all wrapped into one . . . a book that tackles humanity, hardship, and classism at the deepest level.' - Magic Radio Book Club Elise has now been working for the infiltration department for a year, but is growing frustrated with their lack of progress, their unwillingness to fight back against an unjust world. When it's announced that they're going on the offensive, will she be ready for the consequences? Twenty-Two finally has her freedom after serving her term of imprisonment. But not everyone believes she deserves to be released. If she is not welcome in Uracil, then where does she belong? Genevieve's life as a high-ranking Medius is perfectly crafted to hide all weakness, but when she finds out what the Potior's have planned next at the Museum of Evolution, she starts to question her choices, and the cracks begin to show. Can she keep herself from shattering? When a threat none of these women could have predicted comes to pass, they are all left to fight for their futures. Whether they are ready for it or not, their worlds will collide and nothing will be the same again . . . __________________________________________________ PRAISE FOR THE TOMORROW'S ANCESTORS SERIES 'An unputdownable exploration into the ethics of science' Buzz Magazine' Incredible . . . without a doubt one of the best YA sci-fi books I've ever read' Out and About Books 'Instantly engaging . . . widens out from a tale of a girl trying to find her own identity to a broader story encompassing an entire population's burden of oppression, and the desire for freedom' Track of Words 'One of the rare debuts that are really five star reads. Subject Twenty One grabbed me instantly and I couldn't put it down' Dom Reads __________________________________________________ Make sure you've read the whole series! 1. Subject Twenty-One 2. The Hidden Base 3. The Fourth Species

SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.

The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

“A necessary book for anyone truly interested in what we take from the sea to eat, and how, and why.” —Sam Sifton, The New York Times Book Review Acclaimed author of American Catch and The Omega Princple and life-long fisherman, Paul Greenberg takes us on a journey, examining the four fish that dominate our menus: salmon, sea bass, cod, and tuna. Investigating the forces that get fish to our dinner tables, Greenberg reveals our damaged relationship with the ocean and its inhabitants. Just three decades ago, nearly everything we ate from the sea was wild. Today, rampant overfishing and an unprecedented biotech revolution have brought us to a point where wild and farmed fish occupy equal parts of a complex marketplace. Four Fish offers a way for us to move toward a future in which healthy and sustainable seafood is the rule rather than the exception.

In the darkness of the star-studded desert, bats and moths feed on the nectar of night-blooming cactus flowers. By day, birds and bees do the same, taking to blooms for their sweet sustenance. In return these special creatures pollinate the equally intriguing plants in an ecological circle of sustainability. The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming’s eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora, Mexico, near Kino Bay. Now Fleming shares the surprising results of his intriguing work. Among the novel findings are one of the world’s rarest plant-breeding systems in a giant cactus; the ability of the organ pipe cactus to produce fruit with another species’ pollen; the highly specialized moth-cactus pollination system of the senita cactus; and the amazing lifestyle of the lesser long-nosed bat, the major nocturnal pollinator of three of these species. These discoveries serve as a primer on how to conduct ecological research, and they offer important conservation lessons for us all. Fleming highlights the preciousness of the ecological web of our planet—Tortilla Flats is a place where cacti and migratory bats and birds connect such far-flung habitats as Mexico’s tropical dry forest, the Sonoran Desert, and the temperate rain forests of southeastern Alaska. Fleming offers an insightful look at how field ecologists work and at the often big surprises that come from looking carefully at a natural world where no species stands alone.

"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.