An increasingly post-Christian world is forcing parishes to re-envision how they “make disciples of all nations” (Mt 28:19). Pastors and lay leadership must pivot to building mission-first parishes, equipped to proclaim the Gospel to those who have not heard it — while the number of practicing Catholics falls with increasing speed. Parish leaders are hungry for programs and resources to help address these challenges. Yet no single model or program can suit every parish, and leaders are bogged down with options, many of which offer no clear goals or methods. In The Four Ways Forward, Susan Windley-Daoust, theologian and diocesan director of missionary discipleship, provides a road map to pastors and parish staff to make sense of it all. To become an apostolic parish, there are four effective models to choose from, each built on a distinct, necessary insight and method in the art of conversion: Radical hospitality and proclamation ? The practice of spiritual multiplication ? Organizational mission (re)focus ? Highlighting divine signs and wonders in our midst Every fruitful, joyful, evangelizing parish should embrace the insights and methods of at least three of the four models. This book not only describes each model, giving examples of how it is being used in parishes today, but offers a practical blueprint toward crafting a response to the post-Christian world, including notes on spiritual roadblocks that can get in the way.

A lot of Christian men - and small groups of men - feel stuck. They have a sincere desire to grow but feel confused about what to do next. The Way Forward is a road-map for men who want to cut through the noise and distraction of the 21st century and take definite steps toward spiritual maturity. This book follows the simple format of problem, solution, and plan. Men who read it will walk away with both a clear diagnosis for why they feel stuck and a practical action plan for moving forward.

"A writer traces his history-brushes with violence, responses to threat, poetic and political solidarity-in poems of lyric and narrative urgency. John Murillo's second book is a reflective look at the legacy of institutional, accepted violence against African Americans and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father's fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker "to become something unbreakable." The presence of these and poetic forbears-Gil Scott-Heron, Yusef Komunyakaa-provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice. "Maybe memory is the only home / you get," Murillo writes, "and rage, where you/first learn how fragile the axis/upon which everything tilts.""--

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