The Four Legends is a fast-paced futuristic novel set in 2095 that explores what it means to be part of the human race. Being chosen as a Legend on the Extra-Terrestrial Living Station is a dream come true for every teenager coming of age. The story follows four teenagers on a Quest to retrieve valuable relics from different countries on Earth via space and time travel, as they seek to claim their status as Legends. The teenagers have to face ominous rain forests, mysterious South American temples, the harsh African environment and treacherous guides to find what they are looking for. However, this will not come without sacrifice. And from far away, the Praeceptori, their Teachers, are watching, planning ... and possibly using them for their own, far more disturbing goals. The Four Legends propels us into a journey of discovering Earth, discovering self and discovering that the only way to survive is through real connection with one another. Look out for Treasure Chasers Book 2 to embark on more adventures in distant lands and times that might just save the future of our world.

In this companion to a forthcoming PBS series, Wood journeys to some of the remotest places on earth in search of four of mankind's most powerful myths: Shangri-La, Jason and the Golden Fleece, the Queen of Sheba, and King Arthur.

Myths of Hiawatha, Oneata, the red race in America.

In this epic tale, a new Council of Tirisfal is formed following an attempt on Med'an's life. And while Med'an, Valeera and Maraad travel to Kharazhan to speak with the shade of Med'an's father, Garona and Meryl team up to take out the ogre Cho'gall.

The House of the Cretan Woman, Bait al-Kretliya, is a sixteenth-century merchant's house that stands adjacent to the ninth-century mosque of Ibn Tulun, in one of the oldest quarters of Cairo. Both the house and the mosque are the subjects of the popular myths gathered in this magical book. In the 1930s the house served as the home of Gayer-Anderson Pasha, an English doctor and art collector, who furnished it with his collections and left it to the Egyptian government in 1945, and it was Gayer-Anderson who collected and translated the stories that are the subject of this book from Sheikh Sulaiman, the last head of the Kretli family and guardian of the saint's tomb that flanks the house. He also commissioned a local artisan to create a series of illustrations on copper plates, one to depict each of the fourteen legends, and published the stories with the drawings, along with his own introductory description of the house, in a small edition in England in 1951 that is now long out of print. For this new edition of this classic book, the author's grandson, Theo Gayer-Anderson, an illustrator and a specialist in restoration and conservation, has enhanced and added color to the original monochrome drawings to reanimate the world of benevolent serpents, magical wells, sultans and serving girls, djinns and saints that surrounds the house and the mosque. This unique collection is a significant piece of local history that offers a fascinating sidelight on two of Cairo's best known monuments.

A. Kiarina Kordela steps beyond extant commentaries on Marx’s theory of commodity fetishism—from A. Sohn-Rethel to L. Althusser, É. Balibar, Slavoj Žižek, and others—to show that in capitalism value is the manifestation of the homology between thought and being, while their other aspect—power—is foreclosed and becomes the object of biopower. Using monistic Marxian/Lacanian structuralism as an alternative to dominant models from Plato and Kant to phenomenological accounts, deconstruction, and other contemporary approaches, Kordela expertly argues that Marx’s theory of commodity fetishism is a reformulation of the Spinozian thesis that thought (mind) and things (bodies or extension) are manifestations of one and the same being or substance. Kordela’s link between Spinoza and Marx shows that being consists of two aspects, value and power, the former leading to structuralist thought, the latter becoming the object of contemporary biopower. Epistemontology in Spinoza-Marx-Freud-Lacan intervenes between two dominant lines of thought in the reception of Marx today: on the one hand, an approach that relates Marxian thought to psychoanalysis from a Hegelian/dialectical perspective and, on the other hand, an approach that links Marxism to Spinozian monism, at the total exclusion of psychoanalysis. This book will interest scholars and researchers who study Marxism, (post)structuralism, psychoanalysis, critical theory, ontology, epistemology and theories of representation, theoreticians of cultural studies and comparative literature, aesthetic theory, including the relation of art to economy and politics, and biopolitics.