Poet and translator of Greek classics Richard Lattimore applies his skills to the four gospels and the Revelation.

First published in 1994, and revised in 2005, this classic edition includes updated suggestions for further reading at the end of the book.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Of all the books of the Bible, few are as fascinating or as intimidating as Revelation. Four grim horsemen, the Antichrist, the ten-horned beast, the ultimate battle at Armageddon, the "mark of the beast." It's no wonder that these images have griped the imagination of so many--and have been variously interpreted as symbolizing everything from Hitler and Gorbachev to credit cards and the Internet. Is the book of Revelation a blueprint for the future? A book of powerful symbolic imagery with warnings for the church? Is it essentially an imaginative depiction of historical events in the first century? Four Views on the Book of Revelation explores four interpretations of the book of the Apocalypse: Preterist – a historical interpretation, arguing that most of John’s prophecies occurred in the first century, soon after his writing of them. Idealist – a spiritual or symbolic interpretation, arguing that the events in Revelation are not literal, and that apocalyptic literature requires a different approach than the Gospels or Epistles. Classical dispensationalism – a literal interpretation based on a reading of Revelation that pays close attention to the rules of grammar and the separate eras of covenantal history. Progressive dispensationalism – a modification of classical that has its root in the understanding of Christ's reign beginning immediately after the resurrection. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

In this modern classic Richard Burridge offers an engaging introduction to the New Testament Gospels. Using the ancient visual symbols for the Gospels — human face, lion, ox, and eagle — Burridge presents a clear interpretation of each Gospel author's portrait of Jesus. This new edition contains updated suggestions for further reading and a substantial new Afterword in which Burridge reflects personally on his book's genesis, development, and positive reception over the years. Four Gospels, One Jesus? in this third edition will continue to be appreciated by teachers, students, pastors, and other readers wanting to understand Jesus more fully.

"Magisterial. . . . A learned, brilliant and enjoyable study."—Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."—Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."—James D. Tabor, Journal of Religion "Fredriksen confronts her documents—principally the writings of the New Testament—as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."—Thomas D’Evelyn, Christian Science Monitor