Recently there has been a revival of interest in structuralist approaches to science. Taking their lead from scientific structuralists such as Henri Poincaré, Ernst Cassirer, and Bertrand Russell, some contemporary philosophers and scientists have argued that the most fruitful approach to solving many problems in the philosophy of science lies in focusing on the structural features of our scientific theories. Much of the work in scientific structuralism to date has been focused on the problem of scientific realism, where it has been argued that even in cases of radical theory change the most important structural features of predecessor theories are preserved. These structural realists argue that what our most successful theories get right about the world is these abstract structural features, rather than any particular ontological claims. More recently, philosophers of science have adopted structuralist approaches to many other issues in the philosophy of science, such as scientific explanation and intertheory relations. The nine articles collected in this volume, written by the leading researchers in scientific structuralism, represent some of the most important directions of research in this field. This book will be of particular interest to those philosophers, scientists, and mathematicians who are interested in the foundations of science.

The Poverty of Structuralism is the first in a sequence of volumes which examine in turn the basic ideas of Saussure, Marx and Freud, and analyse the way in which they have been developed and applied to art, culture and modern textual theory. The text offers a critical introduction to the structuralist foundations of modern literary theory. It gives an account of the way such foundations have been developed, twisted and distorted to become part of the language that contemporary literary and cultural theoreticians use. It also addresses some of the fundamental issues about language and society that are presupposed by the often difficult language of modern literary and cultural theory.

The present work is a systematic study of five frameworks or perspectives articulating mathematical structuralism, whose core idea is that mathematics is concerned primarily with interrelations in abstraction from the nature of objects. The first two, set-theoretic and category-theoretic, arose within mathematics itself. After exposing a number of problems, the Element considers three further perspectives formulated by logicians and philosophers of mathematics: sui generis, treating structures as abstract universals, modal, eliminating structures as objects in favor of freely entertained logical possibilities, and finally, modal-set-theoretic, a sort of synthesis of the set-theoretic and modal perspectives.

Praise for the first edition: "This is a great introduction and contribution to the subject. It is unusually wide-ranging, covering the historical development of cultural theory and deftly highlighting key problems that just won′t go away." - Matthew Hills, Cardiff University "To say that the scope of the book′s coverage is wide-ranging would be an under-statement. Few texts come to mind that have attempted such a thorough overview of the central tenets of cultural studies." - Stuart Allan, Bournemouth University This fully revised edition of the best selling introduction to cultural studies offers students an authoritative, comprehensive guide to cultural studies. Clearly written and accessibly organized the book provides a major resource for lecturers and students. Each chapter has been extensively revised and new material covers globalization, the post 9/11 world and the new language wars. The emphasis upon demonstrating the philosophical and sociological roots of cultural studies has been retained along with boxed entries on key concepts and issues. Particular attention is paid to demonstrating how cultural studies clarifies issues in media and communication studies, and there are chapters on the global mediasphere and new media cultures. This is a tried and tested book which has been widely used wherever cultural studies is taught. It is an indispensable undergraduate text and one that will appeal to postgraduates seeking a ′refresher′ which they can dip into.

Today the convergence of design, engineering and architectural technologies is breeding a new material practice in experimental architecture. The significant emphasis on the structuring logic of tectonics is resulting in a 'new structuralism' in design. In this pioneering publication, this important shift is fully defined as a highly dynamic synthesis of emerging principles of spatial, structural and material ordering integrated through the application of materialisation and fabrication technologies. Providing the foundations for a new theory of structuring in architecture, the new structuralism has broad implications for the way we both conceive and undertake architectural design, as its impact starts to emanate not only across education internationally, but also through architectural research and practice. Features premier research and design-oriented engineering practices: Bollinger + Grohmann Buro Happold Hanif Kara (AKT) Werner Sobek Focuses on design and fabrication technologies in the recent work of: Martin Bechthold Barkow Leibinger EMBT (Enric Miralles, Benedetta Tagliabue) Gramazio & Kohler Fabian Scheurer (designtoproduction) Yves Weinand and Markus Hudert Contributors include: John Chilton Dominik Holzer and Steven Downing Neri Oxman Helmut Pottmann Nina Rappaport

Recent developments in literary theory, such as structuralism and deconstruction, have come under attack for neglecting history, while historically-based approaches have been criticized for failing to take account of the problems inherent in their methodological foundations. This collection of essays is unique in that it focuses on the relation between post-structuralism and historical (especially Marxist) literary theory and criticism. The volume includes a deconstructive reading of Marx, essays that relate history to the philosophical and institutional context, and a number of studies of particular texts, literary and non-literary, which pose the question of history and literary theory with particular force.