Provocative interrogation of how the Ottonian kingdom grew and flourished, focussing on the resources required.

In examining the relationship between the royal monasteries in tenth- and eleventh-century Germany and the German monarchs, this book assimilates a great deal of European scholarship on a central problem - that of the realities and structures of power. It focuses on the practical aspects of governing without a capital and while constantly in motion, and on the payments and services which monasteries provided to the king and which in turn supported the king's travel economically and politically. Royal-monastic relations are investigated in the context of the 'itinerant kingship' of the period to determine how this relationship functioned in practice. It emerges that German rulers did in fact make much greater use of their royal monasteries than has hitherto been recognised.

This is the first major study in English of the queens of the Ottonian dynasty (919-1024). The Ottonians were a family from Saxony who are often regarded as the founders of the medieval German kingdom. They were the most successful of all the dynasties to emerge from the wreckage of the pan-European Carolingian Empire after it disintegrated in 888, ruling as kings and emperors in Germany and Italy and exerting indirect hegemony in France and in Eastern Europe. It has long been noted by historians that Ottonian queens were peculiarly powerful - indeed, among the most powerful of the entire Middle Ages. Their reputations, particularly those of the empresses Theophanu (d.991) and Adelheid (d.999) have been commemorated for a thousand years in art, literature, and opera. But while the exceptional status of the Ottonian queens is well appreciated, it has not been fully explained. Ottonian Queenship offers an original interpretation of Ottonian queenship through a study of the sources for the dynasty's six queens, and seeks to explain it as a phenomenon with a beginning, middle, and end. The argument is that Ottonian queenship has to be understood as a feature in a broader historical landscape, and that its history is intimately connected with the unfolding story of the royal dynasty as a whole. Simon MacLean therefore interprets the spectacular status of Ottonian royal women not as a matter of extraordinary individual personalities, but as a distinctive product of the post-Carolingian era in which the certainties of the ninth century were breaking down amidst overlapping struggles for elite family power, royal legitimacy, and territory. Queenship provides a thread which takes us through the complicated story of a crucial century in Europe's creation, and helps explain how new ideas of order were constructed from the debris of the past.

Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.

A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.

The journal welcomes papers on historical, literary, archaeological, cultural, and artistic themes, particularly interdisciplinary papers and those that make an innovative and significant contribution to the understanding of the early medieval world and stimulate further discussion. For submission details please see the association website: www.aema.net.au. Submissions then may be sent to [email protected].

Dynastic Change: Legitimacy and Gender in Medieval and Early Modern Monarchy examines the strategies for change and legitimacy in monarchies in the medieval and early modern eras. Taking a broadly comparative approach, Dynastic Change explores the mechanisms employed as well as theoretical and practical approaches to monarchical legitimisation. The book answers the question of how monarchical families reacted, adjusted or strategised when faced with dynastic crises of various kinds, such as a lack of a male heir or unfitness of a reigning monarch for rule, through the consideration of such themes as the role of royal women, the uses of the arts for representational and propaganda purposes and the impact of religion or popular will. Broad in both chronological and geographical scope, chapters discuss examples from the 9th to the 18th centuries across such places as Morocco, Byzantium, Portugal, Russia and Western Europe, showing readers how cultural, religious and political differences across countries and time periods affected dynastic relations. Bringing together gender, monarchy and dynasticism, the book highlights parallels across time and place, encouraging a new approach to monarchy studies. It is the perfect collection for students and researchers of medieval and early modern monarchy and gender.