Scripture opens itself up by its own words and interpretation. William Perkins is the father of Puritanism, often remembered for his preaching manual, The Art of Prophecy. Much attention has been given to the Puritan movement, especially in its later forms, but comparatively little has been given to Perkins. In The Gloss and the Text, Andrew Ballitch provides a thorough examination of the hermeneutical principles that governed Perkins's approach to biblical interpretation. Perkins taught that the Bible was God's word as well as the interpretation of God's word. Interpretation is no private matter; it is a public gift of the Spirit of God for the people of God. Ballitch's study sheds light on Perkins as a preacher, theologian, and student of Scripture.

William Perkins and the Making of Protestant England presents a new interpretation of the theology and historical significance of William Perkins (1558-1602), a prominent Cambridge scholar and teacher during the reign of Queen Elizabeth I. Though often described as a Puritan, W. B. Pattersonargues that Perkins was in fact a prominent and effective apologist for the established church whose contributions to English religious thought had an immense influence on an English Protestant culture that endured well into modern times. The English Reformation is shown to be a part of theEuropean-wide Reformation, and Perkins himself a leading Reformed theologian.In A Reformed Catholike (1597), Perkins distinguished the theology upheld in the English Church from that of the Roman Catholic Church, while at the same time showing the considerable extent to which the two churches shared common concerns. His books dealt extensively with the nature of salvationand the need to follow a moral way of life. Perkins wrote pioneering works on conscience and "practical divinity". In The Arte of Prophecying (1607), he provided preachers with a guidebook to the study of the Bible and their oral presentation of its teachings. He dealt boldly and in down-to-earthterms with the need to achieve social justice in an era of severe economic distress. Perkins is shown to have been instrumental to the making of a Protestant England, and to have contributed significantly to the development of the religious culture not only of Britain but also of a broad range ofcountries on the Continent.

This is a comprehensive study of the philosophy of Peter Ramus (1515-1572) as it was used in the theology of the English Puritan, William Perkins (1558-1602). The work shows that Perkins’ use of Ramist method was substantial and that nearly all his theological works were constructed along the lines of the Ramist method. The significance of this use of Ramus by Perkins is explored and the importance of Ramism for English Puritanism in general is then shown.

Throughout nineteenth century America, religious officials often condemned the theatre as an inversion of the house of God, similar to the church in architectural structure and organization but wholly different in purpose and values. This book explores the many ways in which religious institutions supported by capitalism profoundly affected the early development of American theatre. The author analyzes the church's critical view toward common theatre practices, including the use of female and child performers, and the lower class alliance with the stage. Three appendices provide period correspondence, including an excerpt from Mark Twain's February 1871 "Memoranda," in which Twain criticizes an Episcopalian reverend for denying church burial to a popular stage comedian.