The Tenth to the Thirteenth centuries in Europe saw the appearance of popular heresy and the establishment of the inquisition; expropriation and mass murder of Jews; the foundation of leper hospitals in large numbers and the propagation of elaborate measures to segregate lepers from the healthy. These have traditionally been seen as distinct and separate developments, and explained in terms of the problems which their victims presented to medieval society. In this stimulating book Robert Moore argues that the coincidences in the treatment of these and other minority groups cannot be explained independently, and that all are part of a pattern of persecution which now appeared for the first time to make Europe become, as it has remained, a persecuting society.

Some of the most portentous events in medieval history—the Cathar crusade, the persecution and mass burnings of heretics, the papal inquisition—fall between 1000 and 1250, when the Catholic Church confronted the threat of heresy with force. Moore’s narrative focuses on the motives and anxieties of elites who waged war on heresy for political gain.

Order and Exclusion is a rare and magnificent book of medieval history with clear relevance to today's headlines. Through the lens of the polemics of Peter the Venerable, abbot of Cluny, Dominique Iogna-Prat examines the process by which christianity transformed itself into Christendom, a powerful spiritual, social, and political system with pretensions to universality. Iogna-Prat's close examination of a set of writings central to the history of Catholicism resolves into a deeply troubling study of the origins of attitudes that continue to shape world events. Iogna-Prat writes that "versions of fundamentalism nourished by the soil of an often terrible common history" show that Christianity, Judaism, and Islam have all been capable of intolerance.Peter the Venerable's writings had a far-reaching impact: the powerful network of Clunaic houses expanded from the founding of the original monastery of Cluny to dominate Christendom by the twelfth century. This Christendom, Iogna-Prat demonstrates, defined itself in part through its increasingly bitter struggles against its perceived enemies both within and without. Peter the Venerable's all-pervasive logic pitted the "order" of the monastery and its hierarchical society against all those--heretics, Jews, Muslims, lepers--outside its bounds. In his proclamations against Jews and Muslims, Peter devised a Christian anthropology: in his view, to be non-Christian was to be non-human. The power of the Church came at a great and lasting price.

The essays in this book provide new insights into the history of heresy and the formation of the persecuting society in the Middle Ages and explores the shifting understanding of orthodoxy and heterodoxy in medieval and modern times.

In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval. "Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, a la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it-they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius") TABLE OF CONTENTS // The Most Famous Medievalist in the World - My Boethius - Memory Houses - The President of the Medieval Academy Made Me Cry - My Medieval Romance - The Formation of a Persecuting Society - The Medieval Heart is Like a Penis - Jilted Again - My Orpheus - Medieval Literacy - My Cloud of Unknowing - The Post-Medieval Unconscious - Coda: The Dedication"

This book provides a radical reassessment of Europe from the late tenth to the early thirteenth centuries.

More than seventy documents, ranging in date from the early eleventh century to the early fourteenth century and representing both orthodox and heretical viewpoints are included.