She lost her memory … now she’s misplaced her heart. A finalist for the Romance Writers of America RITA© Award Lady Elizabeth Fairchild is weary of playing flirtatious games in Regency London. Henceforth, she’s determined to be her caring and honest self. But that can be dangerous in a scandal-loving society, especially when she loses her memory...and falls in love with a highly honorable lord who’s convinced she caused his friend’s untimely death. Without a memory, how can she prove her innocence? This light-hearted Regency, in the tradition of Jane Austen and Georgette Heyer, is one of five Regency romances by the USA Today bestselling author of A Lady’s Point of View and Lady in Disguise. “Ms. Diamond is one of the most consistently enjoyable Regency authors around.”-- Melinda Helfer, Romantic Times Cover by customgraphics.etsy.com.

Being nearsighted in Regency-era London isn’t a crime—but it feels like one to a young lady in disgrace! Meg Linley can barely see and is forbidden to wear spectacles. When she accidentally cuts the prince’s friend Beau Brummell at a ball, the scandal sends her packing to the countryside. Her faulty eyesight causes her to enter the wrong coach, which delivers her to the estate of handsome Lord Bryn. He mistakes her for the governess who was due to arrive from London. Preferring work to a life of isolation, she goes along with the erroneous impression, and can’t help adoring his mischievous orphaned niece and nephew. When Meg begins falling in love with the handsome lord just as he’s about to become engaged to another woman, however, she can’t see a way out of her dilemma. This is a lighthearted tale in the traditional Regency romance style—no sex, but plenty of romantic complications and a happy ending. “Ms. Diamond is one of the most consistently enjoyable Regency authors around.”-- Melinda Helfer, Romantic Times magazine. Cover by customgraphics.etsy.com

In Regency England, a lady must take matters into her own hands, even at the risk of scandal. Lady Victoria Courtney has abandoned hope of winning the heart of the dashing Richard, Marquis of Lansdon, but fate appears to have other plans. On a journey to meet her new stepmother, Victoria is mistaken for a woman of the London stage and impulsively takes on the role. Before she knows it, she’s caught up in a masquerade, but when it’s over, will Richard believe she’s the heroine or the villain? Mistaken identities, separated lovers and love gone astray – it’s all part of the comedy in this Regency romance set in England during the time of Jane Austen. “…a treat to any Regency romance fan, feeling reminiscent of Georgette Heyer at her best. This story seemed to mix the mistaken identities of Shakespeare’s As You Like It with the wit of Jane Austen. I was laughing throughout this book as I eagerly turned each page.”—Night Owl Reviews Cover by customgraphics.etsy.com

Textual Agency examines the massive proliferation of poetic texts in fifteenth-century Spain, focusing on the important yet little-known cancionero poetry – the largest poetic corpus of the European Middle Ages. Ana M. Gómez-Bravo situates this cultural production within its social, political, and material contexts. She places the different forms of document production fostered by a shifting political and urban model alongside the rise in literacy and access to reading materials and spaces. At the core of the book lies an examination of both the materials of writing and how human agents used and transformed them, giving way to a textual agency that pertains not only to writers, but to the inscribed paper. Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.