New York Times Bestseller: A lyrical, suspenseful coming-of-age story based on Greek myths of the Amazons, woman warriors living near the Black Sea. Born out of sorrow in an ancient time of blood and war, Rain is a girl marked by destiny. Her mother, Alina, is the proud queen of a tribe of female warriors, yet she refuses to touch or even look at her only daughter. So Rain draws on the strength and knowledge of her Amazon sisters to learn the ways of her people: how to carve spoons out of bones, ride her white horse as fiercely as a demon, and shoot an arrow straight into the heart of an enemy. Determined to win her mother’s love and take her rightful place as the next queen, Rain becomes a brave and determined fighter. But the dream of a black horse clouds her future, portending death. As one devastating battle follows the next, Rain hopes for a different life for her tribe beyond never-ending bloodshed. Peace, mercy, and love, however, are forbidden words in her language—can Rain teach her sisters to speak in a new tongue before it’s too late? Inspired by Greek legends and recent archaeological discoveries in Russia and Ukraine, The Foretelling is a breathtaking achievement from the bestselling author of The Dovekeepers.

Drafted into telling fortunes at a fund-raising carnival, Angela Dawn prepares herself by studying a book on palmistry, never dreaming that lives will be changed by her predictions. On carnival night, Angela sees thngs she does not want to see. For two people, she forecasts an early death. One receives her warning; the other does not. For her best friend she predicts a head injury and possible suicide. When an accident makes the first part come true, the prophecy threatens to become self-fulfilling. Will the rest happen, too? The most glowing future goes to wealthy Glen Fabian. Glen is too sophisticated to believe in fortune-telling, until the fulfillment of a tragic prophecy makes it all seem possible. But there will be a high price to pay for his success. Angela stands by helplessly as lives are shattered all because her predictions are taken seriously. No one believes her when she tries to convince them it was only in fun. As for herself, which will be her fate-the happy marriage or the early death? Here is a chilling story of terror triggered by an innocent game, with few winners and many losers.

Intellectuals since the Industrial Revolution have been obsessed with whether, when, and why capitalism will collapse. This riveting account of two centuries of failed forecasts of doom reveals the key to capitalism’s durability. Prophecies about the end of capitalism are as old as capitalism itself. None have come true. Yet, whether out of hope or fear, we keep looking for harbingers of doom. In Foretelling the End of Capitalism, Francesco Boldizzoni gets to the root of the human need to imagine a different and better world and offers a compelling solution to the puzzle of why capitalism has been able to survive so many shocks and setbacks. Capitalism entered the twenty-first century triumphant, its communist rival consigned to the past. But the Great Recession and worsening inequality have undermined faith in its stability and revived questions about its long-term prospects. Is capitalism on its way out? If so, what might replace it? And if it does endure, how will it cope with future social and environmental crises and the inevitable costs of creative destruction? Boldizzoni shows that these and other questions have stood at the heart of much analysis and speculation from the early socialists and Karl Marx to the Occupy Movement. Capitalism has survived predictions of its demise not, as many think, because of its economic efficiency or any intrinsic virtues of markets but because it is ingrained in the hierarchical and individualistic structure of modern Western societies. Foretelling the End of Capitalism takes us on a fascinating journey through two centuries of unfulfilled prophecies. An intellectual tour de force and a plea for political action, it will change our understanding of the economic system that determines the fabric of our lives.

From bestselling author Alice Hoffman, a resonant tale of overcoming grief and tragedy, as only she could tell it.In this powerful, lovely sequel to GREEN ANGEL, Green must learn the stories of a number of "witches" and free her true soul mate from a prison as she grapples with life, love, and loss in a post-disaster world.

Alice Hoffman is at her magical best in a new novel about loss and healing.When her family is lost in a terrible disaster, 15-yr-old Green is haunted by loss and by the past. Struggling to survive physically and emotionally in a place where nothing seems to grow and ashes are everywhere, Green retreats into the ruined realm of her garden. But in destroying her feelings, she also begins to destroy herself, erasing the girl she'd once been as she inks ravens into her skin. It is only through a series of mysterious encounters -- with a ghostly white dog and a mute boy -- that Green relearns the lessons of love and begins to heal as she tells her own story.

Apocalypse. To most, the word signifies destruction, death, the end of the world, but the literal definition is "revelation" or "unveiling," the basis from which renowned theologian René Girard builds his own view of Biblical apocalypse. Properly understood, Girard explains, Biblical apocalypse has nothing to do with a wrathful or vengeful God punishing his unworthy children, and everything to do with a foretelling of what future humans are making for themselves now that they have devised the instruments of global self-destruction. In this volume, some of the major thinkers about the interpretation of politics and religion— including Eric Voegelin, Leo Strauss, and Carl Schmitt— are scrutinized by some of today's most qualified scholars, all of whom are thoroughly versed in Girard’s groundbreaking work. Including an important new essay by Girard, this volume enters into a philosophical debate that challenges the bona fides of philosophy itself by examining three supremely important philosopher of the twentieth century. It asks how we might think about politics now that the attacks of 9/11 have shifted our intellectual foundations and what the outbreak of rabid religion might signify for international politics.

Taking refuge among other teens who are in hiding from a government threatened by their supernatural powers, Ashala covertly practices her abilities only to be captured and interrogated for information about the location of her friends.