Gripping, emotional Second World War saga for fans of Annie Groves, Shirley Dickson and Soraya Lane. 1943, and The Bluebird Girls are at the top of their game. They are touring with ENSA, visiting army bases across the world in order to boost the morale of the brave boys fighting in the desert and the jungle. The hours are long and the travelling uncomfortable, but Bea, Rainey and Ivy wouldn't be anywhere else for the world. Then tragedy strikes the group and their little showbusiness family. Their manager, Blackie, and Rainey's mother Jo find themselves with heavy new responsibilities, and the change in circumstances causes the girls themselves to reconsider their lives. For years, singing on stage has been their only dream, and they have made so many sacrifices to get where they are. But now other possibilities - relationships, babies - are on the horizon. Could this be the end for The Bluebird Girls?

Drawing on both archive material and contributions from the public, this book looks at various aspects of wartime romance. It includes facsimiles of letters, postcards, telegrams, diaries, Valentine cards, honeymoon hotel bills, concert programs and press cuttings.

Larkville hero comes home Returning Special Forces soldier Nate Calhoun is struggling to adjust to small-town life. It's a relief to get back to the bunkhouse with only his memories and a bottle of bourbon for company. Only Sarah Anderson can see straight through Nate's surly exterior to his pain. As childhood sweethearts they were inseparable--until he left, shattering her heart. But hanging out like they used to--racing horses and shooting the breeze on the ranch--they begin to see that there really might be that spark still between them....

1942, and singing group the Bluebird Girls have swapped the theatres of southern England for army tents in the Libyan desert. Their mission is to boost the morale of the brave British troops fighting under the hot sun, where there is no end yet in sight to the war. Bea, Rainey, and Ivy must shake off the toll the war has taken on their friends, loved ones and homes if they are to keep their own spirits up while performing so far from home. With a smile on their faces and a song in their hearts, the Bluebird Girls will keep fighting on until the very end.

This is a pioneering history of the experience of captivity of British prisoners of war (POWs) in Europe during the Second World War, focussing on how they coped and came to terms with wartime imprisonment. Clare Makepeace reveals the ways in which POWs psychologically responded to surrender, the camaraderie and individualism that dominated life in the camps, and how, in their imagination, they constantly breached the barbed wire perimeter to be with their loved ones at home. Through the diaries, letters and log books written by seventy-five POWs, along with psychiatric research and reports, she explores the mental strains that tore through POWs' minds and the challenges that they faced upon homecoming. The book tells the story of wartime imprisonment through the love, fears, fantasies, loneliness, frustration and guilt that these men felt, shedding new light on what the experience of captivity meant for these men both during the war and after their liberation.

Notes are fundamental to the making of music, but its not just the notes that fascinate us. We love to learn about the musicians who use them to make great music and entertain us. Felix Schrodinger and Pyotr Stilovsky have compiled in this, the third volume of the series, a compendium of information that will appeal to all who love music and especially to those who seek out knowledge for its own sake.

Love has a history. It has meant different things to different people at different moments and has served different purposes. This book tells the story of love at a crucial point, a moment when the emotional landscape changed dramatically for large numbers of people. It is a story based in England, but informed by America, and covers the period from the end of the First World War until the break-up of The Beatles. To the casual observer, this era was a golden age of marriage. More people married than ever before. They did so at increasingly younger ages. And there was a revolution in our idea of what marriage meant. Pragmatic notions of marriage as institution were superseded by the more romantic ideal of a relationship based upon individual emotional commitment, love, sex, and personal fulfilment. And yet, this new idea of marriage, based on a belief in the transformative power of love and emotion, carried within it the seeds of its own destruction. Romantic love, particularly when tied to sexual satisfaction, ultimately proved an unreliable foundation upon which to build marriages: fatally, it had the potential to evaporate over time and under pressure. Scratching beneath the surface of the apparent 'golden age' of marriage, Claire Langhamer uncovers the real story of love in the twentieth century, via the recollections of ordinary people who lived through the period. It is a tale of quiet emotional instability, persistent subversion, and unsettling change. At its end, the idea of life-long marriage was in serious decline. And, as Langhamer shows, this was a decline directly rooted in the contradictions and tensions that lay at the heart of the emotional revolution itself.