“An action-packed, satisfying love story gets this supernatural series off to a rousing start.”—Kirkus Reviews Lori Adams puts a twist on paranormal romance with the first novel of The Soulkeepers, a series that blends ancient legends and new myths with an enchanting mix of thrills, humor, and high drama. When Sophia St. James learns that she’ll be moving from Los Angeles to a podunk town somewhere in Connecticut for her senior year of high school, she isn’t expecting an otherworldly encounter. But there is more to Haven Hurst than meets the eye: it’s home to a family of Guardian Angels, and she is the only one who can see them in spirit form. Sophia soon realizes she wants to see much more of Michael, an irresistible yet volatile Guardian who seems drawn to her too. As Michael battles his forbidden desire for the beautiful young newcomer, one of Hell’s most notorious Demon Knights arrives. Handsome and charismatic, Dante has come to claim the reincarnated soul of his lost lover trapped in Sophia. Cursed with the demon of Persuasion living inside him, Dante will use his seductive charms to lure Sophia into a dangerous game that ends with the kiss of death—unless Michael, who has captured Sophia’s heart, can now capture her soul. Praise for Forbidden “A perfect blend of fantasy, humor, romance, and thrills, Forbidden had me laughing, biting my nails, and swooning all over the place.”—Cassie Mae, author of The Real Thing “I read Forbidden in one day because I just could not put it down.”—Good Choice Reading “Simply put . . . this book was amazing! Not only was it captivating, but it was intriguing as well.”—Just Us Book Lovers “I strongly recommend this book if you are looking for a well-developed paranormal romance. . . . Can’t wait for the next one!”—TJ Loves to Read “Definitely recommend this book.”—Books by Night, Mommy by Day

In masterful tales of coming of age and becoming marginalized during the Cuban Revolution and its aftermath, Pablo La Rosa nostalgically looks back at a childhood spent by the seaside and creates a mosaic of poignant experiences seen through the glaring lens of race and exile. Neither the advantages of race or education, however, can exempt the disoriented protagonist from their perceived loss of homeland, integrity, identity. In the masterful ñEl Marielito,î La Rosa captures the bewilderment of a black man, marginalized by his race and circumstances in pre and post revolutionary Cuba and during his exile in the United States. Equally on the margin in spite of the advantages of education and race, a Cuban college student can relate only to a Russian janitor; though they share no common language they wordlessly share a longing for their lost homelands. La Rosa exhibits a penchant for the whimsical and experimental in homage to Latin American masters Jose Donoso, Carlos Fuentes, and Julio Cortàzar. His stylistic journey takes us from the magically real to psychological suspense and adventure. La RosaÍs masterful pen captivates our imagination and projects the reader into the souls of his characters.

The dark power of the Fear family consumes all those connected with it. No one can escape the evil of the family’s curse—not even the Fears themselves. Savannah Gentry doesn’t believe that. She marries Tyler Fear. But then she goes with him to Blackrose Manor. That’s when the deaths begin. That’s when she learns his terrible secret....

"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--

Sex. Violence. Scandal. These are words we rarely associate with the sacred text of the Bible. Yet in this brilliant new book, Jonathan Kirsch shows that the Old Testament is filled with some of the most startling and explicit stories in all of Western literature. These tales of seduction and rape, voyeurism and exhibitionism, intermarriage and illegitimacy, assassination and murder have been suppressed by religious authorities throughout history precisely because they are so shocking. "You mean that's in the Bible?" is the common reaction of the contemporary reader to the stories that Kirsch retells and explores. In The Harlot by the Side of the Road, Kirsch recounts these suppressed and mistranslated tales in the grand storytelling tradition. Here is the tale of Dinah, the young Israelite daughter raped by a princely suitor. The price for her hand in marriage? The circumcision of every man in his kingdom. Here, too, is the story of Lot's daughters, who, when faced with the possibility that they are the last survivors on earth, must copulate with their drunken father to continue their race. And the story of Tamar, the harlot by the side of the road, who must disguise herself as a prostitute and seduce her father-in-law in order to bear the child who has been promised her. Kirsch places each story within the political and social context of its time, and delves into the latest biblical scholarship to explain why each story was originally censored. He also brings to light when and where each story was first written down, and how it found its way into the Bible. And he shows how these stories have something important to say to contemporary readers who might never pick up a Bible. Kirsch reveals that the Bible's real power lies in its unflinching lessons in human nature. And he illuminates the surprising modernity of the Bible's characters: these were, like us, people delicately balanced between their destructive and generous natures. Certain to excite controversy and ignite intellectual debate, The Harlot by the Side of the Road will undoubtedly be one of the year's most talked-about books.

The Imported Bridegroom, and Other Stories of the New York Ghetto is a collection of short stories by Abraham Cahan. Contents: Imported Bridegroom, A Providential Match, A Sweat-Shop Romance, Circumstances and A Ghetto Wedding.

Reprint of the original, first published in 1877.