A New York Times Notable Book Rereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they “revealed me to possess the mind of a phobic tax auditor.” Thus was born a desire to try again, to chronicle her daily life—now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with her trademark humor, honesty, and searing intelligence.

Like many young people, Heidi Julavits kept a diary. Decades later she found her old diaries in a storage bin, and hoped to discover the early evidence of the person (and writer) she’d since become. Instead, “The actual diaries revealed me to possess the mind of a paranoid tax auditor.” Thus was born a desire to try again, to chronicle her daily life as a fortysomething woman, wife, mother, and writer. The dazzling result is The Folded Clock, in which the diary form becomes a meditation on time and self, youth and aging, betrayal and loyalty, friendship and romance, faith and fate, marriage and family, desire and death, gossip and secrets, art and ambition. The Folded Clock is as playful as it is brilliant, a tour de force by one of the most gifted prose stylists in American letters.

An insightful meditation on time, relationships and identity, The Folded Clock is a funny, thoughtful and inquisitive diary for fans of Olivia Laing and Jenny Offill 'Exquisite ... Witty, sly, critical, inventive and adventurous' New York Times 'Scathingly funny ... Exhilarating ... An engaging portrait of a woman's sense of identity' LA Times Like many young people, Heidi Julavits kept a diary. Decades later she found her old diaries in a storage bin, and hoped to discover the early evidence of the person (and writer) she'd since become. Instead, they 'revealed me to possess the mind of a paranoid tax auditor'. Thus was born a desire to try again, to chronicle her daily life as a fortysomething woman, wife, mother and writer. The dazzling result is The Folded Clock, in which the diary form becomes a meditation on time and self, youth and aging, betrayal and loyalty, friendship and romance, faith and fate, marriage and family, desire and death, gossip and secrets, art and ambition. The Folded Clock is as playful as it is brilliant, a tour de force by one of the most gifted prose stylists in the English language.

One Autumn day in 1985, sixteen-year-old Mary Veal vanishes from her Massachusetts prep school. A few weeks later she reappears unharmed and with little memory of what happened to her--or at least little that she is willing to share. Was Mary abducted, or did she fake her disappearance? This question haunts Mary's family, her psychologist, even Mary herself. Weaving together three narratives, The Uses of Enchantment conjures a spell in which the hallucinatory power of a young woman’s sexuality, and her desire to wield it, has devastating consequences for all involved.

From the acclaimed novelist of The Folded Clock and founding editor of The Believer magazine comes a "sharp-eyed, sardonic, hilarious" novel (The New York Times Book Review) about grief, female rivalry, and the furious power of a daughter’s love. Julia Severn is a talented student at an elite institute for psychics. When Julia’s mentor, the legendary Madame Ackerman, grows jealous of her protégée’s talents, she subjects Julia to the painful humiliation of reliving her mother’s suicide . . . and then launches a desperate psychic attack. But Julia’s gifts, though a threat to her teacher, prove an asset to others. Soon she’s recruited to track down a missing person who might have a connection to her mother. As Julia sifts through ghosts and astral clues, everything she thought she knew about her mother is called into question, and she discovers that her ability to know the minds of others—including her own—goes far deeper than she ever imagined.

"Nickel and Dimed for the Amazon age," (Salon) the bitingly funny, eye-opening story of finding work in the automated and time-starved world of hourly low-wage labor After the local newspaper where she worked as a reporter closed, Emily Guendelsberger took a pre-Christmas job at an Amazon fulfillment center outside Louisville, Kentucky. There, the vending machines were stocked with painkillers, and the staff turnover was dizzying. In the new year, she travelled to North Carolina to work at a call center, a place where even bathroom breaks were timed to the second. And finally, Guendelsberger was hired at a San Francisco McDonald's, narrowly escaping revenge-seeking customers who pelted her with condiments. Across three jobs, and in three different parts of the country, Guendelsberger directly took part in the revolution changing the U.S. workplace. Offering an up-close portrait of America's actual "essential workers," On the Clock examines the broken social safety net as well as an economy that has purposely had all the slack drained out and converted to profit. Until robots pack boxes, resolve billing issues, and make fast food, human beings supervised by AI will continue to get the job done. Guendelsberger shows us how workers went from being the most expensive element of production to the cheapest - and how low wage jobs have been remade to serve the ideals of efficiency, at the cost of humanity. On the Clock explores the lengths that half of Americans will go to in order to make a living, offering not only a better understanding of the modern workplace, but also surprising solutions to make work more humane for millions of Americans.

When the hall clock reads twenty minutes past four, the attic clock reads twenty-three minutes past four, the kitchen clock reads twenty-five minutes past four, and the bedroom clock reads twenty-six minutes past four, what should Mr. Higgins do? He can't tell which of his clocks tells the right time. He is in for a real surprise when the Clockmaker shows him that they are all correct!