In Sean Baker’s award-winning 2017 film The Florida Project, a young girl, her single mother, and her friends live in rundown motels near Disney World, the children’s summer fun contrasting with the grim conditions around them. In this book, J. J. Murphy delves deep into the movie’s development and filming while also examining it within the wider context of Baker’s career. Using production documents, different versions of the screenplay, and interviews with principal members of the production team, Murphy traces the evolution of The Florida Project from initial idea through its various stages of production. He highlights Baker’s unconventional strategies in making a film about a marginalized subculture, including alternative scripting, guerrilla-like filmmaking, improvisation, and the unorthodox casting of local and first-time actors. Murphy also explores how Baker’s impromptu style sometimes rankled crew members and caused a major crisis on set, revealing the difficulties indie filmmakers can face when working with professional crews on larger films. A lively analysis of this critically acclaimed movie, its director, and its production, The Florida Project also betters our understanding of contemporary independent cinema as a whole.

An eye-opening investigation of America’s rural and suburban housing crisis, told through a searing portrait of precarious living in Disney World's backyard. Today, a minimum-wage earner can afford a one-bedroom apartment in only 145 out of 3,143 counties in America. One of the very worst places in the United States to look for affordable housing is Osceola County, Florida. Once the main approach to Disney World, where vacationers found lodging on their way to the Magic Kingdom, the fifteen-mile Route 192 corridor in Osceola has become a site of shocking contrasts. At one end, global investors snatch up foreclosed properties and park their capital in extravagant vacation homes for affluent visitors, eliminating the county’s affordable housing in the process. At the other, underpaid tourist industry workers, displaced families, and disabled and elderly people subsisting on government checks cram themselves into dilapidated, roach-infested motels, or move into tent camps in the woods. Through visceral, frontline reporting from the motels and encampments dotting central Florida, renowned social analyst Andrew Ross exposes the overlooked housing crisis sweeping America’s suburbs and rural areas, where residents suffer ongoing trauma, poverty, and nihilism. As millions of renters face down evictions and foreclosures in the midst of the COVID-19 recession, Andrew Ross reveals how ineffective government planning, property market speculation, and poverty wages have combined to create this catastrophe. Urgent and incisive, Sunbelt Blues offers original insight into what is quickly becoming a full-blown national emergency.

"Well-crafted and in-depth, They Dared to Dream has moved women, their experiences, and their contributions to the forefront of Florida's history and heritage. This is a long-overdue and much-needed turning point in understanding our state's past and present."--Canter Brown Jr., coeditor of The Varieties of Women's Experiences "Represents a leap forward in the study of Florida history. Weatherford has done an outstanding job of researching and writing about Florida women, from paupers to queens, elevating their status to a level of equality within the overall story of Florida."--Rodney Kite-Powell, Saunders Foundation Curator of History at the Tampa Bay History Center and editor of Tampa Bay History "Exhaustively researched, well written, and engaging, They Dared to Dream breaks new ground in the study of Florida. Doris Weatherford's ambitious history of women in Florida will be widely read and discussed. From Princess Ulele to Alex Sink, from the role of criollas in Colonial St. Augustine to the struggles of women in the twenty-first century, Weatherford chronicles their lives in the Sunshine State."--Gary Mormino, author of Land of Sunshine, State of Dreams In this extensive portrayal of Florida's guiding matriarchs, Doris Weatherford highlights the myriad contributions women have made throughout Florida's history. From the select few who traveled with Ponce de Leon to the state's first female mayor Marion H. O’Brien, Weatherford sheds light on the roles these pioneering women played in the shaping of the Sunshine State. They Dared to Dream reveals the lifestyles and achievements of women throughout landmark moments in history, including Native civilizations before the arrival of European colonists; early Spanish, British, and French exploration, the Civil War era, Reconstruction, the early twentieth century, and the population explosions post-World War II. Featuring often-celebrated personalities--including Mary Martha Reid, Harriet Beecher Stowe, and Elizabeth Cady Stanton--alongside the lesser-known lives of Princess Murat, lighthouse keeper Barbara Mabrity, Florida Memorial College founder Sarah Ann Blocker, and others--this pivotal examination of Florida's female agents of change draws attention to women's instrumental roles in the historical events that defined the Sunshine State. From prehistoric times to the space age, the female half of the population has made giant, but too often unacknowledged, contributions to Florida history. Countless women have overcome great obstacles and yet are often left out of historical accounts. They Dared to Dream aims to fill in some of these gaps by celebrating the many successes women have made. Because without women, there is no history--nor any future. Doris Weatherford is the author of A History of the American Suffragist Movement and other reference guides on American women’s history. The Florida Commission on the Status of Women Foundation, Inc., is dedicated to empowering women and girls in our state by supporting educational, entrepreneurial and self sufficiency programs and initiatives through grants, mentoring, and other opportunities. The FCSW Foundation supports the work and programs of the Florida Commission on the Status of Women, including the Florida Women's Hall of Fame. The Florida Commission on the Status of Women Foundation, Inc. dedicates this book to: the women of the past who struggled to achieve gender equality and showed the path, the women of the present who continue with the same goal, and the women of the future who will carry the baton and make us proud.--Dr. Mona Jain Acknowledgments, by the Florida Commission on the Status of Women Foundation, Inc The Florida women’s history book project could not have been completed without the cooperation and support of many people. To thank all of them who made it possible would be nearly impossible. We would, however, like to express our sincere appreciation to those who have helped take this endeavor "from dream to reality." First and foremost, we are indebted forever to our nine founding members as well as to the generous donors to the History Book Project. Next, our thanks go to the charter members: Nancy Acevedo, Claudia Kirk Barto, Susanne Hebert, Laura McLeod, Dr. Jeanne O’Kon, Laurie Pizzo, Blanca Bichara, Dr. Mona Jain, Carrie Lee, and Kathleen Passidomo, Esq., who freely gave their time and talents. Our heartfelt thanks to Kelly Sciba and Michele Manning, who spent many, many hours of their own time to see that the project was moving forward smoothly. Special mention is also made here for the assistance given by Kimberly Mehr and Veronica Vasquez. We gratefully acknowledge Doris Weatherford for writing this comprehensive Florida women’s history book. We are also grateful to the University Press of Florida for publishing the book as well as for valuable editorial help and comments. Our special thanks to each and every one who played a part in discovering the stories behind the women that makes them unique and trailblazers. These notable women have created history. We are also thankful to many women and men for their well wishes and encouragement in order to fill a void in the history of the Sunshine State. Together we empower each other. Last but not least the foundation members offer our deepest sense of appreciation to our families for believing in us as well as for their unwavering moral support. To all others we have omitted inadvertently, please accept our sincere apologies and thanks. According to the old saying, "To err is human and to forgive is divine." Florida Commission on the Status of Women Foundation, Inc. Founding Members, "Visionaries" Blanca C. Bichara, Miami Cheryl Holley, Tampa Dr. Anila Jain, Bradenton-Sarasota Dr. Mona Jain, Bradenton-Sarasota Carrie E. Lee, Gainesville Marie Flore Lindor-Latortue, Miami Janet Mabry, Gulf Breeze Representative Kathleen Passidomo, Esq., Naples Debbie Sembler, Pinellas Park Donors, from "Vision" to "Reality" This Florida Women’s History Book Project has been made possible due to the generosity of the following: Hawa Allarakhia, Bradenton Blanca C. and Ricardo Bichara, Miami Eugenia Price Joyce Blackburn Foundation Brighthouse Networks of Manatee County for Rose Carlson, Bradenton Leah Brown, Bradenton Betty Chambliss, Bradenton LaDonna Cloud, Sarasota Community Foundation of Tampa Bay for Alex Sink, CFO Representative Faye Culp, Tampa Lynn and Dr. Arthur Guilford, Sarasota Gini Hyman, Sarasota Dr. Mona and Kailash Jain, Bradenton-Sarasota Kappa Delta Foundation, Inc. for Dr. Anila Jain, Chair, Bradenton-Sarasota Carrie E. and Dennis Lee, Gainesville Manatee and Sarasota Commissions on the Status of Women Miami-Dade Commission for Women Dorothy Middleton, Bradenton JoAnn Morgan, Melbourne Representative Kathleen Passidomo, Esq., Naples Mary Runnells, Bradenton Linda Simmons, Tampa St. Petersburg Times Fund (Lynda Keever) Mariamma and Dr. George Thomas, Bradenton University of South Florida for Dr. Judy Genshaft, President Amy VanDell, Bradenton Anne Voss, Tampa Renee Warmak, Tampa Senator Marlene Woodson-Howard, Bradenton

A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In this volume, meet young Zech MacIvey, who learns to ride like the wind through the Florida scrub on Ishmael, his marshtackie horse, his dogs, Nip and Tuck, at this side. His parents, Tobias and Emma, scratch a living from the land, gathering wild cows from the swamp and herding them across the state to market. Zech learns the ways of the land from the Seminoles, with whom his life becomes entwined as he grows into manhood. Next in series > > See all of the books in this series

For centuries, men dreamed of cutting a canal across the Florida peninsula. Intended to reduce shipping times, it was championed in the early twentieth century as a way to make the mostly rural state a center of national commerce and trade. Rejected by the Army Corps of Engineers as "not worthy," the project received continued support from Florida legislators. Federal funding was eventually allocated and work began in the 1930s, but the canal quickly became a lightning rod for controversy. Steven Noll and David Tegeder trace the twists and turns of the project through the years, drawing on a wealth of archival and primary sources. Far from being a simplistic morality tale of good environmentalists versus evil canal developers, the story of the Cross Florida Barge Canal is a complex one of competing interests amid the changing political landscape of modern Florida. Thanks to the unprecedented success of environmental citizen activists, construction was halted in 1971, though it took another twenty years for the project to be canceled. Though the land intended for the canal was deeded to the state and converted into the Cross Florida Greenway, certain aspects of the dispute--including the fate of Rodman Reservoir--have yet to be resolved.

Within the last twenty-five years, an enormous burst of creative production has emerged from independent filmmakers. From Stranger than Paradise (1984) and Slacker (1991) to Gus Van Sant's Elephant (2003) and Miranda July's Me and You and Everyone We Know (2005), indie cinema has become part of mainstream culture. But what makes these films independent? Is it simply a matter of budget and production values? Or are there aesthetic qualities that set them off from ordinary Hollywood entertainment? In this groundbreaking new study, J.J. Murphy argues that the independent feature film from the 1980s to the present has developed a distinct approach of its own, centering on new and different conceptions of cinematic storytelling. The film script is the heart of the creative originality to be found in the independent movement. Even directors noted for their idiosyncratic visual style or the handling of performers typically originate their material and write their own scripts. By studying the principles underlying the independent screenplay, we gain a direct sense of the originality of this new trend in American cinema. Me and You and Memento and Fargo also presents a unique vision for the aspiring screenwriter. Most screenwriting manuals and guidebooks on the market rely on formulas believed to generate saleable Hollywood films. Many writers present a "three-act paradigm" as gospel and proceed to lay down very stringent rules for characterization, plotting, timing of climaxes, and so on, while others who appear to be more open about such rules turn out to be just as inflexible in their advice. Through in-depth critical analyses of some of the most significant independent films of recent years, J.J. Murphy emphasizes the crucial role that novelty can play in the screenwriting process.