The summer before seventh grade, Venola Mae Cutright, Belington, West Virginia's best newspaper carrier, writes a series of humorous letters to her best friend away at camp, the Imperial Magic Sea Monkey Company, and her newspaper boss.

More award-winning and popular strips of "Mother Goose and Grimm", featuringGrimmy, are available in this collection.

Fiction. Pascal's Wager and performing fleas. The Haunted Mansion of Long Branch and an old dockside bar. Raceway Park and a pristine 1971 Plymouth Road Runner. A cat named Altamont. These are all that stand between a young mathematician and madness as she attempts to make sense of her lover's suicide. Narrow margins, you say? Not much to place between a slip of a brokenhearted Jersey Girl and the Abyss? Indeed, it is a treacherous twelve seconds on the quarter mile, hilarious and harrowing by turn. Blink and you'll miss it.

Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.

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Spider and his friends save the day by performing for the already assembled audience when the fleas desert the flea circus.