Obscene, libidinous, loathsome, lascivious. Those were just some of the ways critics described the nineteenth-century weeklies that covered and publicized New York City’s extensive sexual underworld. Publications like the Flash and the Whip—distinguished by a captivating brew of lowbrow humor and titillating gossip about prostitutes, theater denizens, and sporting events—were not the sort generally bound in leather for future reference, and despite their popularity with an enthusiastic readership, they quickly receded into almost complete obscurity. Recently, though, two sizable collections of these papers have resurfaced, and in The Flash Press three renowned scholars provide a landmark study of their significance as well as a wide selection of their ribald articles and illustrations. Including short tales of urban life, editorials on prostitution, and moralizing rants against homosexuality, these selections epitomize a distinct form of urban journalism. Here, in addition to providing a thorough overview of this colorful reportage, its editors, and its audience, the authors examine nineteenth-century ideas of sexuality and freedom that mixed Tom Paine’s republicanism with elements of the Marquis de Sade’s sexual ideology. They also trace the evolution of censorship and obscenity law, showing how a string of legal battles ultimately led to the demise of the flash papers: editors were hauled into court, sentenced to jail for criminal obscenity and libel, and eventually pushed out of business. But not before they forever changed the debate over public sexuality and freedom of expression in America’s most important city.

It’s the crossover event fans have been waiting for, as The Flash joins forces with Green Arrow! When the Green Arrow needs help tracking down a sinister bomber in Star City, speedster Barry Allen is out the door in a flash. But as The Flash saves the day with his friends on Team Arrow, a huge dimensional rift appears over his hometown of Central City—and thousands of refugees with superspeed come pouring out. Can the combined skills of Team Arrow and The Flash’s friends at S.T.A.R. Labs manage the chaos long enough to stop the rift from tearing their universe apart? This exciting first installment in the new crossover trilogy promises to be one of the most action-packed reads of the season. Supergirl, Superman, and the heroes from DC’s Legends of Tomorrow will be joining in on the fun in books two and three of this can’t-miss trilogy.

This book will assist journalists and Flash developers who are working together to bring video, audio, still photos, and animated graphics together into one complete Web-based package. This book is not just another Flash book because it focuses on the need of journalists to tell an accurate story and provide accurate graphics. This book will illustrate how to animate graphics such as maps, illustrations, and diagrams using Flash. It will show journalists how to integrate high-quality photos and audio interviews into a complete news package for the Web. Each lesson in the book is followed by a learning summary so that journalists can review the skills they have acquired along the way. In addition, the book's six case studies will allow readers to study the characteristics of news packages created with Flash by journalists and Web developers at The Washington Post, MSNBC.com, and Canadian and European news organizations.

... more than 150 of the AP's greatest photographs ..of the major news events and personalities of the 20th century.

FEATURING ESSAYS FROM: Barrie Jean Borich • Jenny Boully • Norma Elia Cantú • Rigoberto González • Philip Graham • Carol Guess • Jeff Gundy • Robin Hemley • Barbara Hurd • Judith Kitchen •Eric LeMay • Dinah Lenney • Bret Lott • Patrick Madden• Lee Martin • Maggie McKnight • Brenda Miller •Kyle Minor • Aimee Nezhukumatathil • Anne Panning • Lia Purpura • Peggy Shumaker • Sue William Silverman • Jennifer Sinor • Ira Sukrungruang • Nicole Walker Unmatched in its focus on a concise and popular emerging genre, The Rose Metal Press Field Guide to Writing Flash Nonfiction features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination. With a comprehensive introduction to the genre and book by editor Dinty W. Moore, this guide is perfect for both the classroom and the individual writer’s desk—an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you.

Featuring 33 stories under 1000 words by the winners of the Flash in the Attic Flash Fiction Contest. The very brief stories in this volume, by turns playful, provocative, poignant, fantastical, fearless, and wildly imaginative, prove just how much can be accomplished in 1000 words or fewer.As it turns out, 1000 words is plenty of room to make a scene, get people in trouble, get them out of it, or parse language one letter at a time, as Sharon Goldberg does in "Rear-End Collisions," which took second place. 1000 words is also enough room for the dead to visit the living on a subway car bound for Brooklyn, for fathers to lose the hearts of their daughters, and for the sun to threaten the future of the earth and the intricate bonds of family. Neal Allen's winning story, "The Mayan Calendar," proves that 1000 words is also enough to span the history of civilization.