In this volume of sixteen essays, D. R. Nagaraj, the foremost non-Brahmin intellectual to emerge from India's non-English-speaking world, presents his vision of the Indian caste system in relation to Dalit politics--the Dalit being a self-designation for many groups in the lower castes of India. Nagaraj argues that the Dalit movement rejected the traditional Hindu world and thus dismissed untouchable pasts entirely; but he believes rebels too require cultural memory. Their emotions of bewilderment, rage, and resentment can only be transcended via a politics of affirmation. He theorizes the caste system as a mosaic of disputes about dignity, religiosity, and entitlement. Examining moments of caste defiance, he argues for a politics of cultural affirmation and creates a new cultural identity for Dalits. More significantly, he argues against self-pity and rage in artistic imagination, and for recreating the banished worlds of gods and goddesses. Nagaraj's importance lies in consolidating and advancing some of the ideas of India's leading Dalit thinker and icon, B. R. Ambedkar. He suggests an inclusivist framework to build an alliance of all the oppressed communities of India.

Listening to the Loom contains a largely unknown and unavailable corpus of eminent Indian Dalil scholar Nagaraj’s ideas and essays, amplifying and supplementing those in The Flaming Feet, and presents his most important writings on literature, politics and violence. Some of the 13 pieces here are translated from Kannada into English for the first time, while others long unavailable have been hunted out from scattered sources. The title of this book, Listening to the Loom, derives from a story recounted by the novelist U. R. Ananthamurthy. Once, walking in Kathmandu with Nagaraj, his companion asked him to stop and listen to the sound of a weaver’s loom that only he had heard. Ananthamurthy recalls saying to Nagaraj that so long as he, Nagaraj, retained this ability to hear the sound of a loom, he would never become a 'Non-Resident Indian’ intellectual. In the present volume, Nagaraj’s ear for the sound and sense of things quintessentially Indian is everywhere apparent. Part I comprises essays on Kannada’s cultural experiences, Part II contains essays on politics and violence. All of them were mostly written between 1993 and 1998, the period when Nagaraj emerged as a mature thinker and produced some of his most important insights.

The little-known story of Gandhi’s reluctance to challenge the caste system, and the man who fought fiercely for India’s downtrodden. Democracy hasn’t eradicated caste, argues bestselling author and Booker Prize–winner Arundhati Roy—it has entrenched and modernized it. To understand caste today in India, Roy insists we must examine the influence of Gandhi in shaping what India ultimately became: independent of British rule, globally powerful, and marked to this day by the caste system. Roy states that for more than a half century, Gandhi’s pronouncements on the inherent qualities of black Africans, Dalit “untouchables,” and the laboring classes remained consistently insulting, and he also refused to allow lower castes to create their own political organizations and elect their own representatives. But there was someone else who had a larger vision of justice—a founding father of the republic and the chief architect of its constitution. In The Doctor and the Saint, Roy introduces us to this contemporary of Gandhi, B.R. Ambedkar, who challenged the thinking of the time and fought to promote not merely formal democracy, but liberation from the oppression, shame, and poverty imposed on millions of Indians by an archaic caste system. This is a fascinating and surprising look at two men—one of whom has become a worldwide symbol and the other of whom remains unfamiliar to most outside his native country. Praise for Arundhati Roy “Arundhati Roy is incandescent in her brilliance and her fearlessness.” —Junot Díaz “The fierceness with which Arundhati Roy loves humanity moves my heart.” —Alice Walker

Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work. As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.