Flamenco Explained, The Guitarist's Survival Guide, is the first book that breaks down the inner workings of flamenco and helps the guitarist truly understand this this amazing art form. Flamenco Explained presents the underlying architecture of flamenco in a new way that is accessible to all musicians and prepares the aspiring guitarist to accompany flamenco dance and Cante and communicate with other flamenco musicians. Flamenco Explained has already been used as the foundation for Berklee College of Music's first ever flamenco guitar class.

"This guide is for musicians who want to learn flamenco guitar without having to spend months or years trying to figure out how to do it. Most people are at a loss as to how to begin learning flamenco, and it's quite understandable. There are precious few really good teaching methods, and none of them give you a well-rounded view of flamenco guitar. This guide fills the gap by going beyond technique to give you an overall understanding of flamenco guitar and teach you how to practice effectively. It takes you through the beginner and intermediate levels and gives you tips on moving forward to the advanced level. Rather than inventing a new flamenco guitar teaching method, it acts as a teacher, providing the filler and the glue for some of the best teaching material that exists out there today."--Back cover.

Recognized internationally for his interpretation and fluid, yet powerful flamenco and classic guitar technique, Adam del Monte reveals his practice methods and routine for achieving greater speed in executing picado or rest-stroke scales. From a reasoned right-hand nail filing system to the proper mindset while practicing, Adam lays out an effective plan for increasing speed while retaining accuracy. Endorsed by none other than Angel Romero, this book goes a long way in erasing the seeming boundaries between flamenco and classic guitar playing styles. When rest-stroke speed is no longer an issue, a bit of authentic flamenco fire may blend into your classical technique. The book ends with three concert-level flamenco selections demonstrating the breath of Adam’s musicality and the importance of developing faster picado scales.

(Music Sales America). This book has been specially created for any guitarist who wants to learn note reading, be they beginners or more advanced players who have neglected this part of their musicianship. It starts with the very basics of written music and progressively introduces notes on each string one at a time until all notes in the "open position" (first five frets) of the guitar have been mastered, and up to 8th note rhythm subdivisions have been learned and applied. Also covered are sharps, flats, key signatures, accidentals, repeats and more. Each step includes practical exercises, handy tips and tricks and a simple repertoire for students to put their reading skills into practice. Spiral open so it lays flat no matter what page you're on.

This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.

Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.

The language of the body is central to the study of flamenco. From the records of the Inquisition, to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokes the image of a sensuous and rebellious woman--the bailaora --whose movements seduce the audience, only to reject their attention with a stomp of defiance. The dancer's body is an agent of ideological resistance, conveying a conflicting desire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity. This collection of new essays provides an overview of flamenco scholarship, illuminating flamenco's narrative and chronology and addressing some common misconceptions. The contributors offer fresh perspectives on age-old themes and suggest new paradigms for flamenco as a cultural practice. Instructors considering this book for use in a course may request an examination copy here.