Heaven can wait. In the meantime...why not go to Hell? Every once in a while a little book comes along that sheds light on our desire for intimacy, our determination to grow spiritually, and our collective yearning to define the boundaries of the soul. The Five People You Meet in Hell is not that little book. A sensitive everyman, Edgy works a meaning-less job at a seaside tourist trap. When a freak accident sends him to "the other side," he encounters a series of strangers compelled to explain the meaning of life. Running the gamut from annoying and incoherent to irritating and hard to follow, these individuals all share a basic desire with virtually every other soul in the universe: to make quick money from a made-for-television movie. The Five People You Meet in Hell is as illuminating as a short-circuited night light and contains all the insight of a chocolate-dipped fortune cookie (with none of the fat). If you've ever died, expect to die, know someone who has died, raise alpacas, collect Hummel figurines, breathe air, or enjoy line dancing, you must buy this book. You will never think about thirteen bucks the same way again. If you experience erections lasting more than four hours, please consult your physician.

*NATIONAL BESTSELLER* *A Good Housekeeping Reads pick* A hilarious and incisive exploration of the joys of reading from a "beloved and wonderful writer" (George Saunders), teacher, bibliophile, and Thurber Prize Semifinalist We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference, or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and perhaps most importantly, to make us more fully human. Shannon Reed, a longtime teacher, lifelong reader, and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In this whip-smart, laugh-out-loud-funny collection, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students. From the varied novels she cherishes (Gone Girl, Their Eyes Were Watching God) to the ones she didn’t (Tess of the d’Urbervilles), Reed takes us on a rollicking tour through the comforting world of literature, celebrating the books we love, the readers who love them, and the ways in which literature can transform us for the better.

"Tired of being a fizzled out corporate stress-chick, Anita made a sea change from Sydney to Margaret River in search of her Diver Dan. What she found instead was a brown-eyed calf named Missy Moo and 52 archetypal goddesses with life lessons to share."--Provided by publisher.

Welcome to Downtrodden Abbey, where a battle for the deed to the property is waged between legitimate aristocrats and literal pretenders to the throne. The Crawfish family—Marry, Supple, Enid, Lady Flora, and Lord Roderick—are content wiling their days away with naughty charades and twenty-two course dinners until the sinking of the Gigantic takes down the next in line to inherit Downtrodden. Soon, cousin Isabich and her son, Atchew, the rightful heir to the Abbey, arrive to claim what's theirs. Downstairs, the servants are running amok, as crippled weakling Brace is aggressively courted by teen hottie Nana, and lady's maid "Potatoes" O'Grotten and her flamboyant sidekick, Tomaine, cause trouble at every turn. The ensuing, insufferably overwrought melodrama takes the reader upstairs and downstairs, into parlours and drawing rooms, boudoirs and bathrooms, and across every class—from the classiest to the classless—in the social pecking order of Edwardian England. Uproariously funny, with a wicked sense of humor that Downton Abbey diehards will enjoy, Gillians Fetlocks skewers your favorite characters with panache in this winning parody

Hank Clayborn, a high-tech executive, loses it all and heads to New Orleans to become an artist. He settles into the bohemian life of the French Quarter, but soon he is drowning in liquor and then gets caught up in a series of murders of Tarot card readers.

The hidden history of the haunted and beloved city of New Orleans, told through the intersecting lives of nine remarkable characters. “Nine Lives is stunning work. Dan Baum has immersed himself in New Orleans, the most fascinating city in the United States, and illuminated it in a way that is as innovative as Tom Wolfe on hot rods and Truman Capote on a pair of murderers. Full of stylistic brilliance and deep insight and an overriding compassion, Nine Lives is an instant classic of creative nonfiction.” —Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain Nine Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of night unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings the kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved. BONUS: This edition contains a Nine Lives discussion guide.

The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years, it’s also been a hoot. In fact, when Harold Ross founded the legendary magazine in 1925, he called it “a comic weekly,” and while it has grown into much more, it has also remained true to its original mission. Now an uproarious sampling of its funny writings can be found in a hilarious new collection, one as satirical and witty, misanthropic and menacing, as the first, Fierce Pajamas. From the 1920s onward–but with a special focus on the latest generation–here are the humorists who set the pace and stirred the pot, pulled the leg and pinched the behind of America. S. J. Perelman unearths the furious letters of a foreign correspondent in India to the laundry he insists on using in Paris (“Who charges six francs to wash a cummerbund?!”). Woody Allen recalls the “Whore of Mensa,” who excites her customers by reading Proust (or, if you want, two girls will explain Noam Chomsky). Steve Martin’s pill bottle warns us of side effects ranging from hair that smells of burning tires to teeth receiving radio broadcasts. Andy Borowitz provides his version of theater-lobby notices (“In Act III, there is full frontal nudity, but not involving the actor you would like to see naked”). David Owen’s rules for dating his ex-wife start out magnanimous and swiftly disintegrate into sarcasm, self-loathing, and rage, and Noah Baumbach unfolds a history of his last relationship in the form of Zagat reviews. Meanwhile, off in a remote “willage” in Normandy, David Sedaris is drowning a mouse (“This was for the best, whether the mouse realized it or not”). Plus asides, fancies, rebukes, and musings from Patty Marx, Calvin Trillin, Bruce McCall, Garrison Keillor, Veronica Geng, Ian Frazier, Roy Blount, Jr., and many others. If laughter is the best medicine, Disquiet, Please is truly a wonder drug.