The story of an evil sultan, who marries a new wife each day and then kills her the next morning. To stop him, a brave woman named Scheherazade, risks her own life and marries the king herself . . .

A sparkling lake set amidst lovely hills is full of fish of an unusual beauty. But when the sultan orders his cook to prepare some, the task is trickier than it seems. The Fisherman and the Jinni is one of the great tales from The Arabian Nights. Enter a world of enchantment and discover an extraordinary web of beautifully interwoven stories. The Arabian Nights (also known as The One Thousand and One Nights) is an ancient collection of tales that have existed for thousands of years. Harpendore's Arabian Nights Adventures are beautifully retold versions of these ancient classics that are specially designed to appeal to children aged seven years and above. They are written in a warm and accessible style and include wonderful illustrations inside. With mischief and magic in equal measure, this series is sure to captivate readers everywhere. The Arabian Nights Adventures series continues to be released throughout 2018. Stories included in the series are: The Adventures of Prince Camar & Princess Badoura Aladdin and his Wonderful Lamp Gulnare of the Sea Ali Baba and the Forty Thieves The Seven Voyages of Sinbad the Sailor The Enchanted Horse The Talking Bird, the Singing Tree and the Golden Water The Merchant and the Genie The Tale of Zubaidah and the Three Qalandars The Adventures of Harun al-Rashid, Caliph of Baghdad The Three Princes, the Princess and the Jinni Pari Banou The Fisherman and the Genie The King's Jester (also known as The Little Hunchback)

When a poor fisherman casts his net out into the Arabian Sea -- and pulls in a genie in a bottle -- he expects three wishes.... But this genie isn't like other genies.... Three interwoven stories-within-a-story illustrate that good deeds should never be rewarded with evil, a lesson the genie will not soon forget.

The story of an evil sultan, who marries a new wife each day and then kills her the next morning. To stop him, a brave woman named Scheherazade, risks her own life and marries the king herself . . .

At a time when scientific and technological breakthroughs keep our eyes focused on the latest software upgrades or the newest cell-phone wizardry, a group of today's most innovative thinkers are looking beyond the horizon to explore both the promise and the peril of our technological future. Human ingenuity has granted us a world of unprecedented personal power -- enabling us to communicate instantaneously with anyone anywhere on the globe, to transport ourselves in both real and virtual worlds to distant places with ease, to fill our bellies with engineered commodities once available to only a privileged elite. Through our technologies, we have sought to free ourselves from the shackles of nature and become its master. Yet science and technology continually transform our experience and society in ways that often seem to be beyond our control. Today, different areas of research and innovation are advancing synergistically, multiplying the rate and magnitude of technological and societal change, with consequences that no one can predict. Living with the Genie explores the origins, nature, and meaning of such change, and our capacity to govern it. As the power of technology continues to accelerate, who, this book asks, will be the master of whom? In Living with the Genie, leading writers and thinkers come together to confront this question from many perspectives, including: Richard Powers's whimsical investigation of the limits of artificial intelligence; Philip Kitcher's confrontation of the moral implications of science; Richard Rhodes's exploration of the role of technology in reducing violence; Shiv Visvanathan's analysis of technology's genocidal potential; Lori Andrews's insights into the quest for human genetic enhancement; Alan Lightman's reflections on how technology changes the experience of our humanness. These and ten other provocative essays open the door to a new dialogue on how, in the quest for human mastery, technology may be changing what it means to be human, in ways we scarcely comprehend.

This work comprises a literary comparison of surviving alternative versions of selected narrative-cycles from the Nights. Pinault draws on the published Arabic editions — especially Bulaq, MacNaghten, and the fourteenth-century Galland text recently edited by Mahdi — as well as unpublished Arabic manuscripts from libraries in France and North Africa. The study demonstrates that significantly different versions have survived of some of the most famous tales from the Nights. Pinault notes how individual manuscript redactors employed — and sometimes modified — formulaic phrases and traditional narrative topoi in ways consonant with the themes emphasized in particular versions of a tale. He also examines the redactors' modification of earlier sources — Arabic chronicles and Islamic religious treatises, geographers' accounts and medieval legends — for specific narrative goals. Comparison of the narrative structure of diverse story-collection also sheds new light on the relationship of the embedded subordinate-narrative to the overarching frame-tale. All cited passages from the Nights and other Arabic story- collections have been fully translated into English.