Publishing public domain and PLR books is a numbers racket to some degree. It will depend on the niche and the earlier recognition of that author and work. The quality on these vary intensely. Some of the more recent ones are better written and edited. Now they are coming with high-quality covers and source files to edit them fully. Like public domain, there are essentially limitless competition out there with all these copies. But also like public domain, you will see that mostly they have been poorly edited or poorly marketed and are really no competition at all. In East Asian tradition, an anthology was a recognised form of compilation of a given poetic form. In this model, which derives from Chinese tradition, the object of compiling an anthology was to preserve the best of a form, and cull the rest.

The Christians is the history of Christianity, told chronologically, epoch by epoch, century by century, beginning at Pentecost and concluding with Christians as we find ourselves in the twenty-first century. It will consist of approximately twelve volumes, produced over a 10-year period at the beginning of the third Christian millennium. It is written and edited by Christians for Christians of all denominations. Its purpose is to tell the story of the Christian family, so that we may be knowledgeable of our origins, may well know and wisely profit from the experiences of our past both good and bad, and may find strength and inspiration to face the challenges of our era from the magnificent examples set for us by those who went before. - Back cover.

The present volume is based on a conference held in October 2019 at the Faculty of Theology of Humboldt University Berlin as part of a common project of the Australian Catholic University, the Katholieke Universiteit Leuven and the Humboldt University Berlin. The aim is to discuss the relationships of “Jews” and “Christians” in the first two centuries CE against the background of recent debates which have called into question the image of “parting ways” for a description of the relationships of Judaism and Christianity in antiquity. One objection raised against this metaphor is that it accentuates differences at the expense of commonalities. Another critique is that this image looks from a later perspective at historical developments which can hardly be grasped with such a metaphor. It is more likely that distinctions between Jews, Christians, Jewish Christians, Christian Jews etc. are more blurred than the image of “parting ways” allows. In light of these considerations the contributions in this volume discuss the cogency of the “parting of the ways”-model with a look at prominent early Christian writers and places and suggest more appropriate metaphors to describe the relationships of Jews and Christians in the early period.

This book will trace the journey of Shelley's Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel's origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels.

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